Reading Modernism with Machines

Shawna Ross is an assistant professor in the Department of English at Texas A&M University, USA, where she researches and teaches British modernism, the digital humanities, oceanic studies, and Henry James.James O’Sullivan is the Digital Humanities Research Associate at the Humanities Research Institute at the University of Sheffield, UK, where he researches digital culture and modernity, digital poetics, and electronic literature.

• Introduction; Shawna Ross.- Chapter 1. ModLabs; Dean Irvine.- Chapter 2. Modeling Modernist Dialogism; Adam Hammond, Julian Brooke and Graeme Hirst.- 3. Mapping Modernism’s Z-Axis; Alex Christie and Katie Tanigawa.- Chapter 4. Textbase as Machine; Kathryn Holland and Jana Smith Elford.- Chapter 5. Remediation and Development of Modernist Forms in The Western Home Monthly; Hannah McGregor and Nicholas van Orden.- Chapter 6. Stylistic Perspective Across Kenneth Fearing’s Poetry; Wayne Arnold.- Chapter 7. In the End Was the Word; Adam James Bradley.- Chapter 8. A Macro-Etymological Analysis of James Joyce’s The Portrait of the Artist as a Young Man; Jonathan Reeve.- Chapter 9. Body Language; Kurt Cavender, Jamey E. Graham, Robert P. Fox, Jr., Richard Flynn and Kenyon Cavender.- Chapter 10. “We twiddle…and turn into machines”; Andrew Pilsch.- Chapter 11. CGI Monstrosities; Eunsong Kim.