Helane Androne is Professor of English and directs the Ohio Writing Project at Miami University, USA. She is the author of Multiethnic American Literatures: Essays for Teaching Context and Culture and has published in journals such as Pedagogy, MELUS, and Phoebe.

• Introduction.- Chapter 1:  “A Place from where to think”: The work of ritual criticism on Chicana fiction.- Chapter 2: Loca Malinalli: Centering the Spiritual in Ana Castillo’s So Far From God.- Chapter 3: ‘…an actress in a play’: Service as Sacred Performance in Denise Chávez’s Face of an Angel.- Chapter 4: Reality Shifts: The Language of Nahuala in Sandra Cisneros’ Caramelo, or Puro Cuento.- Index

Helane Androne is Professor of English and directs the Ohio Writing Project at Miami University, USA. She is the author of Multiethnic American Literatures: Essays for Teaching Context and Culture and has published in journals such as Pedagogy, MELUS, and Phoebe.

• Introduction.- Chapter 1:  “A Place from where to think”: The work of ritual criticism on Chicana fiction.- Chapter 2: Loca Malinalli: Centering the Spiritual in Ana Castillo’s So Far From God.- Chapter 3: ‘…an actress in a play’: Service as Sacred Performance in Denise Chávez’s Face of an Angel.- Chapter 4: Reality Shifts: The Language of Nahuala in Sandra Cisneros’ Caramelo, or Puro Cuento.- Index

Helane Androne is Professor of English and directs the Ohio Writing Project at Miami University, USA. She is the author of Multiethnic American Literatures: Essays for Teaching Context and Culture and has published in journals such as Pedagogy, MELUS, and Phoebe.

• Introduction.- Chapter 1:  “A Place from where to think”: The work of ritual criticism on Chicana fiction.- Chapter 2: Loca Malinalli: Centering the Spiritual in Ana Castillo’s So Far From God.- Chapter 3: ‘…an actress in a play’: Service as Sacred Performance in Denise Chávez’s Face of an Angel.- Chapter 4: Reality Shifts: The Language of Nahuala in Sandra Cisneros’ Caramelo, or Puro Cuento.- Index