Angelia Poon is an Assistant Professor in the Department of English Language and Literature, National Institute of Education, Nanyang Technological University, Singapore.

’Angela Poon's new volume advances an intelligent, complex argument about the crafting of "Englishness" in multiple Victorian texts and colonial sites... I enjoyed the experience of reading Enacting Englishness and recommend it for anyone who is thinking seriously about colonialism or Englishness in the most aggressive era of British imperialism. Poon is a skilled practitioner of literary and cultural theory, and her nuanced readings leave me feeling eager to see more work from her in the future.’ Victorian Studies '[Enacting Englishness] is clearly coherent and relevant and it obeys a well-documented argument debunking Victorian myths and truths all over the empire at its apex, both culturally and physically.' Cercles

• Contents: Introduction; English homebodies: the politics of spectacle and domesticity in mid-century Victorian conduct literature and Jane Eyre; Comic acts of (be)longing: performing Englishness in Wonderful Adventures of Mrs Seacole in Many Lands; Seeing double: performing English identity and imperial duty in Emily Eden's Up the Country and Harriet Martineau's British Rule in India; Charles Dickens and the policing of the English body; Imperial fantasies and the politics of reproducing Englishness: Henry Rider Haggard's Allan Quartermain; Epilogue; Works cited; Index.

Angelia Poon is an Assistant Professor in the Department of English Language and Literature, National Institute of Education, Nanyang Technological University, Singapore.

’Angela Poon's new volume advances an intelligent, complex argument about the crafting of "Englishness" in multiple Victorian texts and colonial sites... I enjoyed the experience of reading Enacting Englishness and recommend it for anyone who is thinking seriously about colonialism or Englishness in the most aggressive era of British imperialism. Poon is a skilled practitioner of literary and cultural theory, and her nuanced readings leave me feeling eager to see more work from her in the future.’ Victorian Studies '[Enacting Englishness] is clearly coherent and relevant and it obeys a well-documented argument debunking Victorian myths and truths all over the empire at its apex, both culturally and physically.' Cercles

• Contents: Introduction; English homebodies: the politics of spectacle and domesticity in mid-century Victorian conduct literature and Jane Eyre; Comic acts of (be)longing: performing Englishness in Wonderful Adventures of Mrs Seacole in Many Lands; Seeing double: performing English identity and imperial duty in Emily Eden's Up the Country and Harriet Martineau's British Rule in India; Charles Dickens and the policing of the English body; Imperial fantasies and the politics of reproducing Englishness: Henry Rider Haggard's Allan Quartermain; Epilogue; Works cited; Index.

Angelia Poon is an Assistant Professor in the Department of English Language and Literature, National Institute of Education, Nanyang Technological University, Singapore.

’Angela Poon's new volume advances an intelligent, complex argument about the crafting of "Englishness" in multiple Victorian texts and colonial sites... I enjoyed the experience of reading Enacting Englishness and recommend it for anyone who is thinking seriously about colonialism or Englishness in the most aggressive era of British imperialism. Poon is a skilled practitioner of literary and cultural theory, and her nuanced readings leave me feeling eager to see more work from her in the future.’ Victorian Studies '[Enacting Englishness] is clearly coherent and relevant and it obeys a well-documented argument debunking Victorian myths and truths all over the empire at its apex, both culturally and physically.' Cercles

• Contents: Introduction; English homebodies: the politics of spectacle and domesticity in mid-century Victorian conduct literature and Jane Eyre; Comic acts of (be)longing: performing Englishness in Wonderful Adventures of Mrs Seacole in Many Lands; Seeing double: performing English identity and imperial duty in Emily Eden's Up the Country and Harriet Martineau's British Rule in India; Charles Dickens and the policing of the English body; Imperial fantasies and the politics of reproducing Englishness: Henry Rider Haggard's Allan Quartermain; Epilogue; Works cited; Index.