Gavin J. Andrews, McMaster University, Canada, Paul Kingsbury, Simon Fraser University, Canada and Robin Kearns, The University of Auckland, New Zealand.

’This is a marvellously eclectic, thoroughly readable and innovative study that enriches both the geographies of health and music while embracing a range of themes from popular culture. It spans a fascinating range of global cases and distils a remarkable amount of interdisciplinary scholarship. The book elegantly traces the ever-changing relationships between place, music and culture - and the complex way in which these combine to make music very much more than merely background - but, literally, a vital force in so many lives.’ John Connell, University of Sydney, Australia 'No-one who grew up tapping, rocking, rapping or simply listening to the sounds of popular music will be able to resist this book. It is a page-turner. Musicologists are drawn into debates on wellbeing, health professionals confronted with the power of music, and geographers charged to pull it altogether. Innovative, challenging, entertaining; maybe therapeutic!' Susan J. Smith, Girton College, Cambridge University, UK 'This eclectic collection of essays explores ways in which wellbeing in everyday life intersects with popular music in an attempt to nudge geographies of health in new directions.' New Zealand Geographer

• 1: Introduction; I: Circulation; 2: Norah Jones's ‘Don't Know Why’: Flexible Grounding and Contemporary Cities; 3: Look Beyond Appearances: Place, Disability, and Wellbeing in the Music of Staff Benda Bilili; 4: ‘Gonna Live Forever': Noel Gallagher's Spaces of Wellbeing; 5: ‘Still ill': Morrissey, The Smiths, and the Geography of Miserabilism; 6: Jewish Spiritual Healing, Mi Shebeirach, and the Legacy of Debbie Friedman; II: Transformations; 7: Listen! It's Alive; 8: Sounds, Surrounds, and Wellbeing on Planet WOMAD; 9: Pasifika Festival Representations and Realities for the Wellbeing of Pacific Peoples in Aotearoa/New Zealand; 10: Dying Healthy: Music in Places of Palliative Care; 11: A Soundtrack to the Everyday: Street Music and the Production of Convivial ‘Healthy' Public Places; 12: Painting Therapeutic Landscapes with Sound: On Land by Brian Eno; III: Gathering; 13: Mapping the Geography of Health Inequity through Participatory Hip Hop; 14: Fast and Frightening: Boundaries to Wellbeing for Women in the Punk Community; 15: Mary, Maria, and the Intensity of Redemption: Everyday Spiritual Healing in the Lyrics of Bruce Springsteen; 16: No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa; 17: Music and the Wellbeing of a Nation: Developing Identity, Constructing Community in Singapore; 18: Bono, Band Aid, and Before: Celebrity Humanitarianism, Music, and the Objects of its Action; Coda Please Please Me: The Potency of Music

Gavin J. Andrews, McMaster University, Canada, Paul Kingsbury, Simon Fraser University, Canada and Robin Kearns, The University of Auckland, New Zealand.

’This is a marvellously eclectic, thoroughly readable and innovative study that enriches both the geographies of health and music while embracing a range of themes from popular culture. It spans a fascinating range of global cases and distils a remarkable amount of interdisciplinary scholarship. The book elegantly traces the ever-changing relationships between place, music and culture - and the complex way in which these combine to make music very much more than merely background - but, literally, a vital force in so many lives.’ John Connell, University of Sydney, Australia 'No-one who grew up tapping, rocking, rapping or simply listening to the sounds of popular music will be able to resist this book. It is a page-turner. Musicologists are drawn into debates on wellbeing, health professionals confronted with the power of music, and geographers charged to pull it altogether. Innovative, challenging, entertaining; maybe therapeutic!' Susan J. Smith, Girton College, Cambridge University, UK 'This eclectic collection of essays explores ways in which wellbeing in everyday life intersects with popular music in an attempt to nudge geographies of health in new directions.' New Zealand Geographer

• 1: Introduction; I: Circulation; 2: Norah Jones's ‘Don't Know Why’: Flexible Grounding and Contemporary Cities; 3: Look Beyond Appearances: Place, Disability, and Wellbeing in the Music of Staff Benda Bilili; 4: ‘Gonna Live Forever': Noel Gallagher's Spaces of Wellbeing; 5: ‘Still ill': Morrissey, The Smiths, and the Geography of Miserabilism; 6: Jewish Spiritual Healing, Mi Shebeirach, and the Legacy of Debbie Friedman; II: Transformations; 7: Listen! It's Alive; 8: Sounds, Surrounds, and Wellbeing on Planet WOMAD; 9: Pasifika Festival Representations and Realities for the Wellbeing of Pacific Peoples in Aotearoa/New Zealand; 10: Dying Healthy: Music in Places of Palliative Care; 11: A Soundtrack to the Everyday: Street Music and the Production of Convivial ‘Healthy' Public Places; 12: Painting Therapeutic Landscapes with Sound: On Land by Brian Eno; III: Gathering; 13: Mapping the Geography of Health Inequity through Participatory Hip Hop; 14: Fast and Frightening: Boundaries to Wellbeing for Women in the Punk Community; 15: Mary, Maria, and the Intensity of Redemption: Everyday Spiritual Healing in the Lyrics of Bruce Springsteen; 16: No-Go Zones and Comfortable Places: Musical Challenges to the Displacements of HIV and AIDS in South Africa; 17: Music and the Wellbeing of a Nation: Developing Identity, Constructing Community in Singapore; 18: Bono, Band Aid, and Before: Celebrity Humanitarianism, Music, and the Objects of its Action; Coda Please Please Me: The Potency of Music