Carol Quirke is a professor of American Studies at the State University of New York, Old Westbury, USA. She teaches women’s history, U.S. history, and visual culture. Her previous book Eyes on Labor: News Photography and America’s Working Class (2012) examines the political stakes of news photography for organized labor in America’s midcentury. Her essays appear in American Quarterly, Radical History Review, History Today, and Reviews in American History.

‘Through the searing empathy of Dorothea Lange, Carol Quirke offers the best introduction to both the making of documentary photography as art and labor and the social justice impulses behind Lange's recording of the Great Depression and Japanese internment. Biography meets history in this wonderful history of a woman in her times who shaped how we look at the past.’ Eileen Boris, Hull Professor of Feminist Studies, University of California, Santa Barbara, USA"What a delight to discover the refreshing depth of scholarship in Carol Quirke’s book. Quirke’s choice of astounding images – ones we have come to know and many never or rarely seen – insightfully illustrate the author’s narrative. Knowing my grandmother’s intelligence as a photographer and as writer/observer, I appreciate Quirke’s inclusion of Dorothea’s field notes pertaining to each photo. This extensive research into Lange’s "day workbooks" reveals raw material few have considered. The result provides a depth of understanding and compassion for the reader, about the life and times Lange documented and about Lange herself."Dyanna Taylor, Director and Director of Photography; granddaughter of Dorothea Lange.‘In this highly original portrait of Dorothea Lange, Carol Quirke places her not only in the context of the history of photography but also within the social and political history of the United States. Rather than an isolated artist, Lange emerges as a part of large social, political, and cultural movements. This book ​is as much a portrait of a changing nation as it is of an extraordinary documentarian."Joshua B. Freeman, Distinguished Professor of History, Queens College and the Graduate Center, City University of New York, USA ‘Carol Quirke offers a well-researched, accessible narrative that explores Dorothea Lange’s photography in the context of her life and times. It is at once a rich scholarly treatment and a compulsively readable story about one of the most important artists of the twentieth century. A must-have for students of photography history.’Cara A. Finnegan, Professor of Communication, University of Illinois at Urbana-Champaign, USA‘This book is a tender tribute to Dorothea Lange, her life, and her work evocative of American perseverance through hard times. By providing intimate details about Lange as an adventurer, an artist, and an activist, Carol Quirke allows us to get a better glimpse of what this remarkable woman truly saw through the camera lens.’Felicia A. Viator, Assistant Professor, History Department, San Francisco State University, USA‘Long before the Great Recession of 2008, Black Lives Matter, and #MeToo, documentary photographer Dorothea Lange’s life and work probed the class, race, and gender fissures that defined the United States in the mid-twentieth century. Carol Quirke’s biography, with its sharp analysis, probing eye, and clear prose, captures why Lange remains meaningful in the twenty-first century.’Fred Carroll, Lecturer of History, Kennesaw State University, USA‘Few Americans have lived more fascinating or consequential lives than Dorothea Lange. Her stunning photographs, together with her personal life story, illuminate some of the most significant moments of the twentieth century. In this excellent, accessible study, Carol Quirke brings Lange to life, showing us how this pathbreaking photographer helped to shape the tumultuous era that she so movingly chronicled.’Scott Laderman, Associate Professor of History, University of Minnesota Duluth, USA‘Complex, compassionate, and clear-eyed, Dorothea Lange’s legacy lives in her famous portraits as well as in her passionate commitment to ordinary people’s lives and struggles. In Dorothea Lange, Documentary Photography, and Twentieth-Century America, historian Carol Quirke provides a unique and compelling story of Lange’s life and labors. Quirke successfully shows that Lange, who saw her camera as "a tool of research" and an agent of change in the U. S. and internationally, was an early and powerful advocate for the social significance of documentary photography. Lange’s empathic representations, justly celebrated worldwide, have not only endured but are even more valuable, as art and as activism, today.’Marcia M. Gallo, Associate Professor of History, University of Nevada, Las Vegas, USA

• List of figures, Series Editor Introduction, Acknowledgements, Introduction, Chapter One: Dorothea Lange and Turn-of-the-Century America, 1895-1912 Chapter Two: "I Knew It Was Dangerous to Have Something to Fall Back On": Finding the New Woman, Finding Herself, 1912-1918 Chapter Three: Love and Work: Tangled Negotiations, 1918-1929 Chapter Four: "To Grab A Hunk of Lightning:" A Radical Change of Focus, 1929-1934 Chapter Five: "Words Would Not Be Enough," 1934-1935 Chapter Six: "These Things Are a Pressin’ on Us:" Dorothea Lange as Government Photographer, 1935-1936 Chapter Seven: "The Sorriest Place in this Country:" Dorothea Lange and Southern Struggles, 1935-1939 Chapter Eight: "Moving About People" and the Great Plains, 1935-1940 Chapter Nine: "In the Ditches at the End of Beauty": California in the Depression, 1935-1940 Chapter Ten: "Woman Can Change Better’n a Man:" Women in the Great Depression, 1929-1940 Chapter Eleven: "This is What We Did, How Did it Happen, How Could We?" Democracy Under Assault, 1940-1945 Conclusion: "The Last Ditch:" Dorothea Lange and the Persistence of Vision, 1945-1965 Primary Documents: Reading Photography in the Archives, Study Questions, Bibliography, Index

Carol Quirke is a professor of American Studies at the State University of New York, Old Westbury, USA. She teaches women’s history, U.S. history, and visual culture. Her previous book Eyes on Labor: News Photography and America’s Working Class (2012) examines the political stakes of news photography for organized labor in America’s midcentury. Her essays appear in American Quarterly, Radical History Review, History Today, and Reviews in American History.

‘Through the searing empathy of Dorothea Lange, Carol Quirke offers the best introduction to both the making of documentary photography as art and labor and the social justice impulses behind Lange's recording of the Great Depression and Japanese internment. Biography meets history in this wonderful history of a woman in her times who shaped how we look at the past.’ Eileen Boris, Hull Professor of Feminist Studies, University of California, Santa Barbara, USA"What a delight to discover the refreshing depth of scholarship in Carol Quirke’s book. Quirke’s choice of astounding images – ones we have come to know and many never or rarely seen – insightfully illustrate the author’s narrative. Knowing my grandmother’s intelligence as a photographer and as writer/observer, I appreciate Quirke’s inclusion of Dorothea’s field notes pertaining to each photo. This extensive research into Lange’s "day workbooks" reveals raw material few have considered. The result provides a depth of understanding and compassion for the reader, about the life and times Lange documented and about Lange herself."Dyanna Taylor, Director and Director of Photography; granddaughter of Dorothea Lange.‘In this highly original portrait of Dorothea Lange, Carol Quirke places her not only in the context of the history of photography but also within the social and political history of the United States. Rather than an isolated artist, Lange emerges as a part of large social, political, and cultural movements. This book ​is as much a portrait of a changing nation as it is of an extraordinary documentarian."Joshua B. Freeman, Distinguished Professor of History, Queens College and the Graduate Center, City University of New York, USA ‘Carol Quirke offers a well-researched, accessible narrative that explores Dorothea Lange’s photography in the context of her life and times. It is at once a rich scholarly treatment and a compulsively readable story about one of the most important artists of the twentieth century. A must-have for students of photography history.’Cara A. Finnegan, Professor of Communication, University of Illinois at Urbana-Champaign, USA‘This book is a tender tribute to Dorothea Lange, her life, and her work evocative of American perseverance through hard times. By providing intimate details about Lange as an adventurer, an artist, and an activist, Carol Quirke allows us to get a better glimpse of what this remarkable woman truly saw through the camera lens.’Felicia A. Viator, Assistant Professor, History Department, San Francisco State University, USA‘Long before the Great Recession of 2008, Black Lives Matter, and #MeToo, documentary photographer Dorothea Lange’s life and work probed the class, race, and gender fissures that defined the United States in the mid-twentieth century. Carol Quirke’s biography, with its sharp analysis, probing eye, and clear prose, captures why Lange remains meaningful in the twenty-first century.’Fred Carroll, Lecturer of History, Kennesaw State University, USA‘Few Americans have lived more fascinating or consequential lives than Dorothea Lange. Her stunning photographs, together with her personal life story, illuminate some of the most significant moments of the twentieth century. In this excellent, accessible study, Carol Quirke brings Lange to life, showing us how this pathbreaking photographer helped to shape the tumultuous era that she so movingly chronicled.’Scott Laderman, Associate Professor of History, University of Minnesota Duluth, USA‘Complex, compassionate, and clear-eyed, Dorothea Lange’s legacy lives in her famous portraits as well as in her passionate commitment to ordinary people’s lives and struggles. In Dorothea Lange, Documentary Photography, and Twentieth-Century America, historian Carol Quirke provides a unique and compelling story of Lange’s life and labors. Quirke successfully shows that Lange, who saw her camera as "a tool of research" and an agent of change in the U. S. and internationally, was an early and powerful advocate for the social significance of documentary photography. Lange’s empathic representations, justly celebrated worldwide, have not only endured but are even more valuable, as art and as activism, today.’Marcia M. Gallo, Associate Professor of History, University of Nevada, Las Vegas, USA

• List of figures, Series Editor Introduction, Acknowledgements, Introduction, Chapter One: Dorothea Lange and Turn-of-the-Century America, 1895-1912 Chapter Two: "I Knew It Was Dangerous to Have Something to Fall Back On": Finding the New Woman, Finding Herself, 1912-1918 Chapter Three: Love and Work: Tangled Negotiations, 1918-1929 Chapter Four: "To Grab A Hunk of Lightning:" A Radical Change of Focus, 1929-1934 Chapter Five: "Words Would Not Be Enough," 1934-1935 Chapter Six: "These Things Are a Pressin’ on Us:" Dorothea Lange as Government Photographer, 1935-1936 Chapter Seven: "The Sorriest Place in this Country:" Dorothea Lange and Southern Struggles, 1935-1939 Chapter Eight: "Moving About People" and the Great Plains, 1935-1940 Chapter Nine: "In the Ditches at the End of Beauty": California in the Depression, 1935-1940 Chapter Ten: "Woman Can Change Better’n a Man:" Women in the Great Depression, 1929-1940 Chapter Eleven: "This is What We Did, How Did it Happen, How Could We?" Democracy Under Assault, 1940-1945 Conclusion: "The Last Ditch:" Dorothea Lange and the Persistence of Vision, 1945-1965 Primary Documents: Reading Photography in the Archives, Study Questions, Bibliography, Index

Carol Quirke is a professor of American Studies at the State University of New York, Old Westbury, USA. She teaches women’s history, U.S. history, and visual culture. Her previous book Eyes on Labor: News Photography and America’s Working Class (2012) examines the political stakes of news photography for organized labor in America’s midcentury. Her essays appear in American Quarterly, Radical History Review, History Today, and Reviews in American History.

‘Through the searing empathy of Dorothea Lange, Carol Quirke offers the best introduction to both the making of documentary photography as art and labor and the social justice impulses behind Lange's recording of the Great Depression and Japanese internment. Biography meets history in this wonderful history of a woman in her times who shaped how we look at the past.’ Eileen Boris, Hull Professor of Feminist Studies, University of California, Santa Barbara, USA"What a delight to discover the refreshing depth of scholarship in Carol Quirke’s book. Quirke’s choice of astounding images – ones we have come to know and many never or rarely seen – insightfully illustrate the author’s narrative. Knowing my grandmother’s intelligence as a photographer and as writer/observer, I appreciate Quirke’s inclusion of Dorothea’s field notes pertaining to each photo. This extensive research into Lange’s "day workbooks" reveals raw material few have considered. The result provides a depth of understanding and compassion for the reader, about the life and times Lange documented and about Lange herself."Dyanna Taylor, Director and Director of Photography; granddaughter of Dorothea Lange.‘In this highly original portrait of Dorothea Lange, Carol Quirke places her not only in the context of the history of photography but also within the social and political history of the United States. Rather than an isolated artist, Lange emerges as a part of large social, political, and cultural movements. This book ​is as much a portrait of a changing nation as it is of an extraordinary documentarian."Joshua B. Freeman, Distinguished Professor of History, Queens College and the Graduate Center, City University of New York, USA ‘Carol Quirke offers a well-researched, accessible narrative that explores Dorothea Lange’s photography in the context of her life and times. It is at once a rich scholarly treatment and a compulsively readable story about one of the most important artists of the twentieth century. A must-have for students of photography history.’Cara A. Finnegan, Professor of Communication, University of Illinois at Urbana-Champaign, USA‘This book is a tender tribute to Dorothea Lange, her life, and her work evocative of American perseverance through hard times. By providing intimate details about Lange as an adventurer, an artist, and an activist, Carol Quirke allows us to get a better glimpse of what this remarkable woman truly saw through the camera lens.’Felicia A. Viator, Assistant Professor, History Department, San Francisco State University, USA‘Long before the Great Recession of 2008, Black Lives Matter, and #MeToo, documentary photographer Dorothea Lange’s life and work probed the class, race, and gender fissures that defined the United States in the mid-twentieth century. Carol Quirke’s biography, with its sharp analysis, probing eye, and clear prose, captures why Lange remains meaningful in the twenty-first century.’Fred Carroll, Lecturer of History, Kennesaw State University, USA‘Few Americans have lived more fascinating or consequential lives than Dorothea Lange. Her stunning photographs, together with her personal life story, illuminate some of the most significant moments of the twentieth century. In this excellent, accessible study, Carol Quirke brings Lange to life, showing us how this pathbreaking photographer helped to shape the tumultuous era that she so movingly chronicled.’Scott Laderman, Associate Professor of History, University of Minnesota Duluth, USA‘Complex, compassionate, and clear-eyed, Dorothea Lange’s legacy lives in her famous portraits as well as in her passionate commitment to ordinary people’s lives and struggles. In Dorothea Lange, Documentary Photography, and Twentieth-Century America, historian Carol Quirke provides a unique and compelling story of Lange’s life and labors. Quirke successfully shows that Lange, who saw her camera as "a tool of research" and an agent of change in the U. S. and internationally, was an early and powerful advocate for the social significance of documentary photography. Lange’s empathic representations, justly celebrated worldwide, have not only endured but are even more valuable, as art and as activism, today.’Marcia M. Gallo, Associate Professor of History, University of Nevada, Las Vegas, USA

• List of figures, Series Editor Introduction, Acknowledgements, Introduction, Chapter One: Dorothea Lange and Turn-of-the-Century America, 1895-1912 Chapter Two: "I Knew It Was Dangerous to Have Something to Fall Back On": Finding the New Woman, Finding Herself, 1912-1918 Chapter Three: Love and Work: Tangled Negotiations, 1918-1929 Chapter Four: "To Grab A Hunk of Lightning:" A Radical Change of Focus, 1929-1934 Chapter Five: "Words Would Not Be Enough," 1934-1935 Chapter Six: "These Things Are a Pressin’ on Us:" Dorothea Lange as Government Photographer, 1935-1936 Chapter Seven: "The Sorriest Place in this Country:" Dorothea Lange and Southern Struggles, 1935-1939 Chapter Eight: "Moving About People" and the Great Plains, 1935-1940 Chapter Nine: "In the Ditches at the End of Beauty": California in the Depression, 1935-1940 Chapter Ten: "Woman Can Change Better’n a Man:" Women in the Great Depression, 1929-1940 Chapter Eleven: "This is What We Did, How Did it Happen, How Could We?" Democracy Under Assault, 1940-1945 Conclusion: "The Last Ditch:" Dorothea Lange and the Persistence of Vision, 1945-1965 Primary Documents: Reading Photography in the Archives, Study Questions, Bibliography, Index