Select Guide Rating

• Introduction; Part One; 1. Empathy and Characterization in Light in August 2. Light in August and the Question of Universality 3. Light in August and the Mystery of the Human Condition; Part Two; 4. From Faulkner to Dostoyevsky: Two Kinds of Religious Experience in the Novel 5. Characterization and the Experience of Conviction in The Idiot 6. Religious Unease and the Structure of The Idiot; Part Three; 7. Evocation of Feeling and Avowal of Commitment as Artistic Aims: From Faulkner and Dostoyevsky to Werfel and Bernanos 8. Confusion of Aim of Lack of Fictional Form in Werfel’s Embezzled Heaven 9. The Conflict between Rhetorical Aim and Fictional Form in Bernanos’ The Diary of a Country Priest; Conclusion; Works Cited

Select Guide Rating

• Introduction; Part One; 1. Empathy and Characterization in Light in August 2. Light in August and the Question of Universality 3. Light in August and the Mystery of the Human Condition; Part Two; 4. From Faulkner to Dostoyevsky: Two Kinds of Religious Experience in the Novel 5. Characterization and the Experience of Conviction in The Idiot 6. Religious Unease and the Structure of The Idiot; Part Three; 7. Evocation of Feeling and Avowal of Commitment as Artistic Aims: From Faulkner and Dostoyevsky to Werfel and Bernanos 8. Confusion of Aim of Lack of Fictional Form in Werfel’s Embezzled Heaven 9. The Conflict between Rhetorical Aim and Fictional Form in Bernanos’ The Diary of a Country Priest; Conclusion; Works Cited

Select Guide Rating

• Introduction; Part One; 1. Empathy and Characterization in Light in August 2. Light in August and the Question of Universality 3. Light in August and the Mystery of the Human Condition; Part Two; 4. From Faulkner to Dostoyevsky: Two Kinds of Religious Experience in the Novel 5. Characterization and the Experience of Conviction in The Idiot 6. Religious Unease and the Structure of The Idiot; Part Three; 7. Evocation of Feeling and Avowal of Commitment as Artistic Aims: From Faulkner and Dostoyevsky to Werfel and Bernanos 8. Confusion of Aim of Lack of Fictional Form in Werfel’s Embezzled Heaven 9. The Conflict between Rhetorical Aim and Fictional Form in Bernanos’ The Diary of a Country Priest; Conclusion; Works Cited