Acknowledgements; General Introduction; Bibliography; Introduction; Chronology; Note on the Text; William Jones; A Hymn to Camdeo (1784); Elizabeth Ryves; Th e Hastiniad (1785); Ralph Broome; From Th e Letters of Simkin the Second (1791); Letter I; Letter II; Letter IV; ‘Timothy Touchstone, Gent.’; From Tea and Sugar, or the Nabob and the Creole (1792); Th e Nabob; Anna Maria Jones; From Th e Poems of Anna Maria (1793); Invocation to the Muse; Sonnet to the Moon; Ode inscribed to Della Crusca; Adieu to India; John Horsford; From A Collection of Poems Written in the East Indies (1797); Th e Prospect; Th e Contrast; Ode to Benares; From Miscellaneous Poems Written in the East Indies (1800); Th e Art of Living in India; Amelia Opie; From Twelve Hindoo Airs (1800); Let not Sorrow Cloud thy Brow; To the Chace Let’s Away; From A Second Set of Hindoo Airs (1800); A Hindustàni Girl’s Song; John Leyden; From English Minstrelsy (1810); Verses Written at the Island of Sagur; Ode to an Indian Gold Coin; From Th e Poetical Remains of the Late Dr John Leyden (1819); Th e Dirge of Tippoo Sultan; John Lawson; From Th e Maniac (1810); Th e Hindoo’s Complaint; From Orient Harping: A Desultory Poem (1821); J?g?nn?tha; From Miscellaneous Poems (1826); Th e City of Palaces; A Bengal Picture; A River Scene; Evening; ‘W’; From India: A Poem in Four Cantos (1812); William Henry Majendie; From Calcutta: A Poem (1811); Maria Nugent; From A Journal fr om the Year 1811 till the Year 1815 (1839); ‘Th e Hour is Past – Oh Hour of Woe!’; Lines, Suggested by a Visit to the Court of Lucnow, in 1812; Lines written on seeing the Taaje, at Agra; Written at Hurdwar; John Hobart Caunter; From Th e Cadet: A Poem, in Six Parts (1814); ‘Quiz’; From Th e Grand Master; or, Adventures of Qui Hi? in Hindostan (1816); Henry Barkley Henderson; From Th e Goorkha, and other Poems (1817); A Suttee; From Th e Decoit: A Fragment; From Satires in India (1819); From Satire IV; Writers of the Calcutta Journal; From Th e Calcutta Journal (1820); A Letter from Sir Anthony Fudge; From Rinaldo, or the Incipient Judge: A Tale of Writers’ Buildings; Thomas Medwin; From Oswald and Edwin: An Oriental Sketch; From Sketches in Hindoostan, with Other Poems; From Th e Pindarees; Thomas D’arcy Morris; From the Bombay Gazette (1820); From Th e Griffi n; From the Oriental Sporting Magazine (1831); Th e Midnight Boar; Meet me when Daylight may Dawn; George Anderson Vetch; From Songs of the Exile (1820); Th e Suttee; or, Funeral Pile; Words written for a Mahratta Air; On Hearing a Lady Sing a Hindoo Song in Scotland; From Poems: containing Sultry Hours and Songs of the Exile (1821); From Sultry Hours: Metrical Sketches of India; The Author of Shigram-Po; From Th e Life and Adventures of Shigram-Po (1821); ‘Jack Kightly Came to Hindoostan’; From Th e Life and Adventures of James Lovewell (1829); James Atkinson; From Th e City of Palaces: A Fragment, and Other Poems (1824); From Th e City of Palaces; From Th e Bengal Annual (1836); Odes to a Punkah!; David Lester Richardson; From Sonnets, and Other Poems (1825); Sonnet: Written on the Banks of the Ganges; Sonnet; An Indian Day; Sonnet: Written in India; From Sonnets, and Other Poems (1827); Sonnet: Th e Suttee; From Literary Leaves (1840); Sonnet: Scene on the Ganges; London, in the Morning; View of Calcutta; Sonnet: Evening, on the Banks of the Ganges; From Literary Chit-Chat (1848); To Laha Pennoo: Th e God of War; To Bera Pennoo: Th e Earth Goddess; Lines to the Memory of David Hare; Henry Meredith Parker; From the Oriental Herald (1827); Th e Indian Day; From Th e Draught of Immortality, and Other Poems (1827); Th e Prophecy of Timoor; Pindarry War Song; A Few Lines in Honor of the Late Mr. Simms; From Bole Ponjis (1851); Th e Adjutant: A Bengal Eclogue; Chateaux en Espagne; Young India: A Bengal Eclogue; Reginald Heber; From Narrative of a Journey through the Upper Provinces of India (1828); ‘If Th ou Wert by My Side, My Love’; An Evening Walk in Bengal; Catherine Eliza Richardson; From Poems (1828); Song: Where Went My Sweet Ameerin?; Fragment: To the Memory of P. C. S; Kishen Kower: A Fragment; Kishen Kower: Princess of Odeypoor; Charles D’Oyly; From Tom Raw, the Griffi n (1828); James Young; From Th e Bengal Annual (1830); Th e Mosquitos’ Song: A Calcutta Fragment; Emma Roberts; From Oriental Scenes (1830); A Scene in the Doaab; Th e Rajah’s Obsequies; Th e Land Storm; Stanzas; From Oriental Scenes (1832); Th e Hindoo Girl; An Evening Scene in Hindoostan; Indian Graves; Sunset at Agra; Augustus Prinsep; From the Bengal Annual (1831); From Th e Dakoit: An Indian Sketch; ‘Cheshunt Owen’; From the Calcutta Magazine (1831); Frederick and Flora; Robert Calder Campbell; From the Calcutta Magazine (1831); Sonnets; Beejapore; From the Calcutta Literary Gazette (1832); Sonnets: Banks of the Gutpurba; From the Orient Pearl (1834); Madras Mohurrim Song; From the Oriental Herald and Colonial Intelligencer (1839); Sonnet: Scene in the Valley Of Berar; Camp Lyrics; Sonnets amidst the Ruins of Beejapore; Th e Cholera; Editorial Notes; Silent Corrections.
