"Particularly recommended for those considering staging the play, most likely at a college theatre." Biblioth que d'Humanisme et Renaissance

• Critical EssaysRemarks on the Plays of Shakespeare, Charles Gildon * Love in a Forest, Charles Johnson * The Plays of William Shakespeare, Samuel Johnson * The Dramatic Censor; or, Critical Companion, Francis Gentleman * Notes to As You Like It, Edward Capell * A Specimen of a Commentary on Shakespeare, Walter Whiter * The Works of William Shakespeare, J. Payne Collier * Shakespeare Commentaries, Dr. G. G. Gervinus * Shakespeare's Dramatic Art, Hermann P. Ulrici * System of Shakespeare's Dramas, Denton J. Snider * Miss Grace Latham on Rosalind, Celia, and Helen, W. E. Henley * Some of Shakespeare's Female Characters, Helena Faucit, Lady Martin * Shakespeare's Heroines, Charles Wingate * William Shakespeare: A Critical Study, Georg Brandes * William Shakespeare, John Masefield * The Culminating Comedies, C. Herford * Shakespeare as a Playwright, Brander Matthews * Disguise Plots in Elizabethan Drama, Victor O. Freeburg * Shakespeare's Use of Song, Richmond Noble * The English Comic Characters, J. B. Priestley * Shakespeare and His Plays from a Woman's Point of View, Rosa E. Grindon * Shakespeare's Way, Frederick C. Kolbe * Shakespeare and Psychology, Cumberland Clark * Shakespearian Comedy and Other Studies, George Gordon * Facing the Music in Arden: "'Twas I, But 'Tis Not I", Margaret Maurer * ReviewsThe Gentleman's Magazine, 1741 * The Times 7 February 1786 * London Gazette, 18 February 1786 * The Times, 12 December 1788 * The Times, 23 September 1789 * The Times 21 November 1789 * The Times, 3 October 1842 * The Athenaeum, July 1890 * Shaw on Shakespeare, George Bernard Shaw * The Stage Shakespeare, Austin Brereton * The Story of My Life, Ellen Terry * The Times, April 23, 1919 * A Definition of Arden, Bamber Gascoigne * Shakespearean Comedy and Some Eighteenth Century Actresses, Jeanne Addison Roberts * Players of Shakespeare, Philip Brockbank, ed. * Watching Shakespeare, Anthony R. Dawson * On Directing Shakespeare, Ralph Berry * As You Like It and the Perils of Pastoral, J. C. Bulman * Reflections Arising from Recent Productions of Love's Labour's Lost and As You Like It, Glynne Wickham * Staging Shakespeare: Seminars on Production Problems, Suzanne Bloch * Taint Not They Mind-problems and Pitfalls in Staging Plays at the Globe, Alan C. Dessen * The Televised Shakespeare Canon, Susan Willis * As You Like It-Performance and Reception, Michael Jamieson

"Particularly recommended for those considering staging the play, most likely at a college theatre." Biblioth que d'Humanisme et Renaissance

• Critical EssaysRemarks on the Plays of Shakespeare, Charles Gildon * Love in a Forest, Charles Johnson * The Plays of William Shakespeare, Samuel Johnson * The Dramatic Censor; or, Critical Companion, Francis Gentleman * Notes to As You Like It, Edward Capell * A Specimen of a Commentary on Shakespeare, Walter Whiter * The Works of William Shakespeare, J. Payne Collier * Shakespeare Commentaries, Dr. G. G. Gervinus * Shakespeare's Dramatic Art, Hermann P. Ulrici * System of Shakespeare's Dramas, Denton J. Snider * Miss Grace Latham on Rosalind, Celia, and Helen, W. E. Henley * Some of Shakespeare's Female Characters, Helena Faucit, Lady Martin * Shakespeare's Heroines, Charles Wingate * William Shakespeare: A Critical Study, Georg Brandes * William Shakespeare, John Masefield * The Culminating Comedies, C. Herford * Shakespeare as a Playwright, Brander Matthews * Disguise Plots in Elizabethan Drama, Victor O. Freeburg * Shakespeare's Use of Song, Richmond Noble * The English Comic Characters, J. B. Priestley * Shakespeare and His Plays from a Woman's Point of View, Rosa E. Grindon * Shakespeare's Way, Frederick C. Kolbe * Shakespeare and Psychology, Cumberland Clark * Shakespearian Comedy and Other Studies, George Gordon * Facing the Music in Arden: "'Twas I, But 'Tis Not I", Margaret Maurer * ReviewsThe Gentleman's Magazine, 1741 * The Times 7 February 1786 * London Gazette, 18 February 1786 * The Times, 12 December 1788 * The Times, 23 September 1789 * The Times 21 November 1789 * The Times, 3 October 1842 * The Athenaeum, July 1890 * Shaw on Shakespeare, George Bernard Shaw * The Stage Shakespeare, Austin Brereton * The Story of My Life, Ellen Terry * The Times, April 23, 1919 * A Definition of Arden, Bamber Gascoigne * Shakespearean Comedy and Some Eighteenth Century Actresses, Jeanne Addison Roberts * Players of Shakespeare, Philip Brockbank, ed. * Watching Shakespeare, Anthony R. Dawson * On Directing Shakespeare, Ralph Berry * As You Like It and the Perils of Pastoral, J. C. Bulman * Reflections Arising from Recent Productions of Love's Labour's Lost and As You Like It, Glynne Wickham * Staging Shakespeare: Seminars on Production Problems, Suzanne Bloch * Taint Not They Mind-problems and Pitfalls in Staging Plays at the Globe, Alan C. Dessen * The Televised Shakespeare Canon, Susan Willis * As You Like It-Performance and Reception, Michael Jamieson

"Particularly recommended for those considering staging the play, most likely at a college theatre." Biblioth que d'Humanisme et Renaissance

• Critical EssaysRemarks on the Plays of Shakespeare, Charles Gildon * Love in a Forest, Charles Johnson * The Plays of William Shakespeare, Samuel Johnson * The Dramatic Censor; or, Critical Companion, Francis Gentleman * Notes to As You Like It, Edward Capell * A Specimen of a Commentary on Shakespeare, Walter Whiter * The Works of William Shakespeare, J. Payne Collier * Shakespeare Commentaries, Dr. G. G. Gervinus * Shakespeare's Dramatic Art, Hermann P. Ulrici * System of Shakespeare's Dramas, Denton J. Snider * Miss Grace Latham on Rosalind, Celia, and Helen, W. E. Henley * Some of Shakespeare's Female Characters, Helena Faucit, Lady Martin * Shakespeare's Heroines, Charles Wingate * William Shakespeare: A Critical Study, Georg Brandes * William Shakespeare, John Masefield * The Culminating Comedies, C. Herford * Shakespeare as a Playwright, Brander Matthews * Disguise Plots in Elizabethan Drama, Victor O. Freeburg * Shakespeare's Use of Song, Richmond Noble * The English Comic Characters, J. B. Priestley * Shakespeare and His Plays from a Woman's Point of View, Rosa E. Grindon * Shakespeare's Way, Frederick C. Kolbe * Shakespeare and Psychology, Cumberland Clark * Shakespearian Comedy and Other Studies, George Gordon * Facing the Music in Arden: "'Twas I, But 'Tis Not I", Margaret Maurer * ReviewsThe Gentleman's Magazine, 1741 * The Times 7 February 1786 * London Gazette, 18 February 1786 * The Times, 12 December 1788 * The Times, 23 September 1789 * The Times 21 November 1789 * The Times, 3 October 1842 * The Athenaeum, July 1890 * Shaw on Shakespeare, George Bernard Shaw * The Stage Shakespeare, Austin Brereton * The Story of My Life, Ellen Terry * The Times, April 23, 1919 * A Definition of Arden, Bamber Gascoigne * Shakespearean Comedy and Some Eighteenth Century Actresses, Jeanne Addison Roberts * Players of Shakespeare, Philip Brockbank, ed. * Watching Shakespeare, Anthony R. Dawson * On Directing Shakespeare, Ralph Berry * As You Like It and the Perils of Pastoral, J. C. Bulman * Reflections Arising from Recent Productions of Love's Labour's Lost and As You Like It, Glynne Wickham * Staging Shakespeare: Seminars on Production Problems, Suzanne Bloch * Taint Not They Mind-problems and Pitfalls in Staging Plays at the Globe, Alan C. Dessen * The Televised Shakespeare Canon, Susan Willis * As You Like It-Performance and Reception, Michael Jamieson