David Herman is Professor of the Engaged Humanities at Durham University, UK. His previous books include Basic Elements of Narrative and Storytelling and the Sciences of Mind.

"David Herman has assembled a superb and vitally relevant cross-section of evidence from the expanding frontier where literature and theory contemplate the evocative counsel of our animal messengers." - Jonathan Lethem, Roy Edward Disney Professor in Creative Writing, Ponoma College, USA "In this rich and theoretically robust volume of essays, animals emerge as constitutive not only of human identity but of modern and postmodern fiction. Putting into practice a creaturely approach to literary studies, Creatural Fictions illustrates the myriad ways in which the shared bodily being of humans and animals is foundational for all rhetorical, political, and ethical acts. Moving freely between the canon and the periphery and attending to questions of form, genre, sexuality, and gender, the fluctuations of species are brought to bear on every aspect of literary endeavor. Here is an expansive exploration of critical practice after the 'animal turn' that will reshape the disciplines we so narcissistically call the 'humanities.'" - Anat Pick, Senior Lecturer of Film Studies, Queen Mary, University of London, UK "This cutting-edge anthology brings together an impressive group of established and emerging scholars to showcase the central themes and issues that motivate literary animal studies. Discussing authors from Kafka to Coetzee and Martel to Mda, the authors provide insightful readings of essential texts that will be of interest to students and scholars alike. This volume will help readers appreciate the numerous ways in which literature serves both to inform and challenge contemporary work in critical animal studies." - Matthew Calarco, Associate Professor of Philosophy, California State University, Fullerton, USA "In this fascinating and compelling collection of transdisciplinary approaches to animals in modern and contemporary literature, the writers move from the 'creaturely' to the 'creatural.' Rather than emphasizing creaturely differences, the contributors highlight cross-creatural continuities between humans and nonhuman animals. Engaging with a wide range of human-animal relationships, the essays in Creatural Fictions hone in on a variety of literature-from the historical romance to postcolonial fiction-from around the world. Examining texts by writers hailing from the Global North and South, East and West, the essays in Creatural Fictions reconsider the very notion of the animal." - Jeanne Dubino, Professor of English, Appalachian State University, USA and coeditor of Representing the Modern Animal in Literature

• Introduction: Literature beyond the Human; David HermanPART I: LITERARY MODERNISMS, ANIMAL WORLDS, AND TRANS-SPECIES ENTANGLEMENTS1. Kafka's Animal Stories: Modernist Form and Inter-species Narrative; Marianne DeKoven2. The Tortured Animals of Modernity: Animal Studies and Italian Literature; Damiano Benvegnù3. The Black Sheep: Djuna Barnes's Dark Pastoral; Andrew KalaidjianPART II: LITERATURE BEYOND THE HUMAN I: SPECIES, SEXUALITY, AND GENDER4. "Becoming Men" and Animal Sacrifice: Contemporary Literary Examples; Josephine Donovan5. A Tail for Two Theorists: The Problem of the Female Monster in Katherine Dunn's Geek Love; Rajesh K. Reddy6. Friendship; or, Representing More-than-Human Subjectivities and Spaces in J. R. Ackerley's My Dog Tulip; Shun Yin Kiang PART III: LITERATURE BEYOND THE HUMAN II: HUMAN-ANIMAL INTERACTIONS ACROSS GENRES7. "A Little Wildness": Negotiating Relationships between Human and Nonhuman in Historical Romance; Christy Tidwell8. Animal Worlds and Anthropological Machines in Yann Martel's Millennial Novel Life of Pi; Hilary Thompson9. "Like Words Printed on Skin": Desire, Animal Masks, and Multispecies Relationships in Monique Truong's The Book of Salt; Nandini ThiyagarajanPART IV: HUMAN-ANIMAL ENTANGELEMENTS IN LATE TWENTIETH AND EARLYTWENTY-FIRST FICTION10. Horsescapes: Space, Nation, and Human-Horse Relations in Jane Smiley's Horse Heaven; Jopi Nyman11. Animal Others, Other People: Exploring Cetacean Personhood in Zakes Mda's The Whale Caller; Craig Smith12. Ghostly Presences: Tracing the Animal in Julia Leigh's The Hunter; Roman Bartosch

David Herman is Professor of the Engaged Humanities at Durham University, UK. His previous books include Basic Elements of Narrative and Storytelling and the Sciences of Mind.

"David Herman has assembled a superb and vitally relevant cross-section of evidence from the expanding frontier where literature and theory contemplate the evocative counsel of our animal messengers." - Jonathan Lethem, Roy Edward Disney Professor in Creative Writing, Ponoma College, USA "In this rich and theoretically robust volume of essays, animals emerge as constitutive not only of human identity but of modern and postmodern fiction. Putting into practice a creaturely approach to literary studies, Creatural Fictions illustrates the myriad ways in which the shared bodily being of humans and animals is foundational for all rhetorical, political, and ethical acts. Moving freely between the canon and the periphery and attending to questions of form, genre, sexuality, and gender, the fluctuations of species are brought to bear on every aspect of literary endeavor. Here is an expansive exploration of critical practice after the 'animal turn' that will reshape the disciplines we so narcissistically call the 'humanities.'" - Anat Pick, Senior Lecturer of Film Studies, Queen Mary, University of London, UK "This cutting-edge anthology brings together an impressive group of established and emerging scholars to showcase the central themes and issues that motivate literary animal studies. Discussing authors from Kafka to Coetzee and Martel to Mda, the authors provide insightful readings of essential texts that will be of interest to students and scholars alike. This volume will help readers appreciate the numerous ways in which literature serves both to inform and challenge contemporary work in critical animal studies." - Matthew Calarco, Associate Professor of Philosophy, California State University, Fullerton, USA "In this fascinating and compelling collection of transdisciplinary approaches to animals in modern and contemporary literature, the writers move from the 'creaturely' to the 'creatural.' Rather than emphasizing creaturely differences, the contributors highlight cross-creatural continuities between humans and nonhuman animals. Engaging with a wide range of human-animal relationships, the essays in Creatural Fictions hone in on a variety of literature-from the historical romance to postcolonial fiction-from around the world. Examining texts by writers hailing from the Global North and South, East and West, the essays in Creatural Fictions reconsider the very notion of the animal." - Jeanne Dubino, Professor of English, Appalachian State University, USA and coeditor of Representing the Modern Animal in Literature

• Introduction: Literature beyond the Human; David HermanPART I: LITERARY MODERNISMS, ANIMAL WORLDS, AND TRANS-SPECIES ENTANGLEMENTS1. Kafka's Animal Stories: Modernist Form and Inter-species Narrative; Marianne DeKoven2. The Tortured Animals of Modernity: Animal Studies and Italian Literature; Damiano Benvegnù3. The Black Sheep: Djuna Barnes's Dark Pastoral; Andrew KalaidjianPART II: LITERATURE BEYOND THE HUMAN I: SPECIES, SEXUALITY, AND GENDER4. "Becoming Men" and Animal Sacrifice: Contemporary Literary Examples; Josephine Donovan5. A Tail for Two Theorists: The Problem of the Female Monster in Katherine Dunn's Geek Love; Rajesh K. Reddy6. Friendship; or, Representing More-than-Human Subjectivities and Spaces in J. R. Ackerley's My Dog Tulip; Shun Yin Kiang PART III: LITERATURE BEYOND THE HUMAN II: HUMAN-ANIMAL INTERACTIONS ACROSS GENRES7. "A Little Wildness": Negotiating Relationships between Human and Nonhuman in Historical Romance; Christy Tidwell8. Animal Worlds and Anthropological Machines in Yann Martel's Millennial Novel Life of Pi; Hilary Thompson9. "Like Words Printed on Skin": Desire, Animal Masks, and Multispecies Relationships in Monique Truong's The Book of Salt; Nandini ThiyagarajanPART IV: HUMAN-ANIMAL ENTANGELEMENTS IN LATE TWENTIETH AND EARLYTWENTY-FIRST FICTION10. Horsescapes: Space, Nation, and Human-Horse Relations in Jane Smiley's Horse Heaven; Jopi Nyman11. Animal Others, Other People: Exploring Cetacean Personhood in Zakes Mda's The Whale Caller; Craig Smith12. Ghostly Presences: Tracing the Animal in Julia Leigh's The Hunter; Roman Bartosch

David Herman is Professor of the Engaged Humanities at Durham University, UK. His previous books include Basic Elements of Narrative and Storytelling and the Sciences of Mind.

"David Herman has assembled a superb and vitally relevant cross-section of evidence from the expanding frontier where literature and theory contemplate the evocative counsel of our animal messengers." - Jonathan Lethem, Roy Edward Disney Professor in Creative Writing, Ponoma College, USA "In this rich and theoretically robust volume of essays, animals emerge as constitutive not only of human identity but of modern and postmodern fiction. Putting into practice a creaturely approach to literary studies, Creatural Fictions illustrates the myriad ways in which the shared bodily being of humans and animals is foundational for all rhetorical, political, and ethical acts. Moving freely between the canon and the periphery and attending to questions of form, genre, sexuality, and gender, the fluctuations of species are brought to bear on every aspect of literary endeavor. Here is an expansive exploration of critical practice after the 'animal turn' that will reshape the disciplines we so narcissistically call the 'humanities.'" - Anat Pick, Senior Lecturer of Film Studies, Queen Mary, University of London, UK "This cutting-edge anthology brings together an impressive group of established and emerging scholars to showcase the central themes and issues that motivate literary animal studies. Discussing authors from Kafka to Coetzee and Martel to Mda, the authors provide insightful readings of essential texts that will be of interest to students and scholars alike. This volume will help readers appreciate the numerous ways in which literature serves both to inform and challenge contemporary work in critical animal studies." - Matthew Calarco, Associate Professor of Philosophy, California State University, Fullerton, USA "In this fascinating and compelling collection of transdisciplinary approaches to animals in modern and contemporary literature, the writers move from the 'creaturely' to the 'creatural.' Rather than emphasizing creaturely differences, the contributors highlight cross-creatural continuities between humans and nonhuman animals. Engaging with a wide range of human-animal relationships, the essays in Creatural Fictions hone in on a variety of literature-from the historical romance to postcolonial fiction-from around the world. Examining texts by writers hailing from the Global North and South, East and West, the essays in Creatural Fictions reconsider the very notion of the animal." - Jeanne Dubino, Professor of English, Appalachian State University, USA and coeditor of Representing the Modern Animal in Literature

• Introduction: Literature beyond the Human; David HermanPART I: LITERARY MODERNISMS, ANIMAL WORLDS, AND TRANS-SPECIES ENTANGLEMENTS1. Kafka's Animal Stories: Modernist Form and Inter-species Narrative; Marianne DeKoven2. The Tortured Animals of Modernity: Animal Studies and Italian Literature; Damiano Benvegnù3. The Black Sheep: Djuna Barnes's Dark Pastoral; Andrew KalaidjianPART II: LITERATURE BEYOND THE HUMAN I: SPECIES, SEXUALITY, AND GENDER4. "Becoming Men" and Animal Sacrifice: Contemporary Literary Examples; Josephine Donovan5. A Tail for Two Theorists: The Problem of the Female Monster in Katherine Dunn's Geek Love; Rajesh K. Reddy6. Friendship; or, Representing More-than-Human Subjectivities and Spaces in J. R. Ackerley's My Dog Tulip; Shun Yin Kiang PART III: LITERATURE BEYOND THE HUMAN II: HUMAN-ANIMAL INTERACTIONS ACROSS GENRES7. "A Little Wildness": Negotiating Relationships between Human and Nonhuman in Historical Romance; Christy Tidwell8. Animal Worlds and Anthropological Machines in Yann Martel's Millennial Novel Life of Pi; Hilary Thompson9. "Like Words Printed on Skin": Desire, Animal Masks, and Multispecies Relationships in Monique Truong's The Book of Salt; Nandini ThiyagarajanPART IV: HUMAN-ANIMAL ENTANGELEMENTS IN LATE TWENTIETH AND EARLYTWENTY-FIRST FICTION10. Horsescapes: Space, Nation, and Human-Horse Relations in Jane Smiley's Horse Heaven; Jopi Nyman11. Animal Others, Other People: Exploring Cetacean Personhood in Zakes Mda's The Whale Caller; Craig Smith12. Ghostly Presences: Tracing the Animal in Julia Leigh's The Hunter; Roman Bartosch