Al Smith's theatre includes Enola (Underbelly, 2005), Radio (Soho / 59E59 NYC, 2006/7), The Astronaut Wives Club (Soho, 2006), The Bird (Underbelly / Arcola, 2008), Gold & Popcorn and Black & White (NYTRep, 2012). He has been Pearson Playwright in Residence at the Finborough Theatre and a participant of the Paines Plough Future Perfect scheme. He has recently finished a new play, The Anthropophaga, for Headlong / Old Red Lion and Harrogate was premiered at HighTide Theatre Festival in September 2015.

[An] intense two-hander . . . Smith’s writing is punchy, sometimes bruising . . . Harrogate plays games with its audience, setting up and then confounding our expectations. . . . Smith's writing is punchy, sometimes bruising

Al Smith's theatre includes Enola (Underbelly, 2005), Radio (Soho / 59E59 NYC, 2006/7), The Astronaut Wives Club (Soho, 2006), The Bird (Underbelly / Arcola, 2008), Gold & Popcorn and Black & White (NYTRep, 2012). He has been Pearson Playwright in Residence at the Finborough Theatre and a participant of the Paines Plough Future Perfect scheme. He has recently finished a new play, The Anthropophaga, for Headlong / Old Red Lion and Harrogate was premiered at HighTide Theatre Festival in September 2015.

[An] intense two-hander . . . Smith’s writing is punchy, sometimes bruising . . . Harrogate plays games with its audience, setting up and then confounding our expectations. . . . Smith's writing is punchy, sometimes bruising

Al Smith's theatre includes Enola (Underbelly, 2005), Radio (Soho / 59E59 NYC, 2006/7), The Astronaut Wives Club (Soho, 2006), The Bird (Underbelly / Arcola, 2008), Gold & Popcorn and Black & White (NYTRep, 2012). He has been Pearson Playwright in Residence at the Finborough Theatre and a participant of the Paines Plough Future Perfect scheme. He has recently finished a new play, The Anthropophaga, for Headlong / Old Red Lion and Harrogate was premiered at HighTide Theatre Festival in September 2015.

[An] intense two-hander . . . Smith’s writing is punchy, sometimes bruising . . . Harrogate plays games with its audience, setting up and then confounding our expectations. . . . Smith's writing is punchy, sometimes bruising