Christiana Gregoriou is Associate Professor in English Language at the University of Leeds, UK. She runs the Crime Studies Network. Her 2007 book Deviance in Contemporary Crime Fiction was nominated from the Anthony Boucher Award under 'Best Critical Work'.

• Acknowledgements 1. Introduction: The Crime Fiction Migration Effect2. Migrating into other Media2.1. On novelisation: The case of The Killing2.1.1. The Forbrydelsen effect2.1.2. Writing The Killing down2.2. On filmic adaptation: We need to talk about Kevin some more2.2.1. On the book’s traumatic linguistic style2.2.2. ‘Nobody loves an adaptation’ (Boyum, 1985: 15), or do they?2.3. On theatrical adaptation: Even more Curious Incidents2.3.1. Curious Prose2.3.2. Curious Drama3. Migrating into other Mainlands3.1. On Translation: Greek Markaris’ Late-Night News novel into English3.1.1. Criminal Late-Night News3.1.2. Anglophonising the News3.2 On filmic remaking: Americanising Austrian Funny Games3.2.1. Deviant Metafilmic Games3.2.2. Americanising the Games3.3. On theatrical remaking: Greeking Shear Stylistic Madness3.3.1. A ’mad’ detective play unlike any other3.3.2. Metatheatrical Madness4. ConclusionReferencesIndex

Christiana Gregoriou is Associate Professor in English Language at the University of Leeds, UK. She runs the Crime Studies Network. Her 2007 book Deviance in Contemporary Crime Fiction was nominated from the Anthony Boucher Award under 'Best Critical Work'.

• Acknowledgements 1. Introduction: The Crime Fiction Migration Effect2. Migrating into other Media2.1. On novelisation: The case of The Killing2.1.1. The Forbrydelsen effect2.1.2. Writing The Killing down2.2. On filmic adaptation: We need to talk about Kevin some more2.2.1. On the book’s traumatic linguistic style2.2.2. ‘Nobody loves an adaptation’ (Boyum, 1985: 15), or do they?2.3. On theatrical adaptation: Even more Curious Incidents2.3.1. Curious Prose2.3.2. Curious Drama3. Migrating into other Mainlands3.1. On Translation: Greek Markaris’ Late-Night News novel into English3.1.1. Criminal Late-Night News3.1.2. Anglophonising the News3.2 On filmic remaking: Americanising Austrian Funny Games3.2.1. Deviant Metafilmic Games3.2.2. Americanising the Games3.3. On theatrical remaking: Greeking Shear Stylistic Madness3.3.1. A ’mad’ detective play unlike any other3.3.2. Metatheatrical Madness4. ConclusionReferencesIndex