Abigail Rokison-Woodall is Lecturer in Shakespeare and Theatre at The Shakespeare Institute, Stratford-upon-Avon, UK and was formerly a professional actor.

A handy and enjoyable reading text.

• INTRODUCTIONDATING THE PLAYTHE FIRST FOLIO AND ITS COPYTHE ELIZABETHAN THEATREBLANK VERSE DRAMATHE CONVENTIONS OF PROSEA CLASSICAL EDUCATION 1) LANGUAGE IN CONTEXTGENREFESTIVE COMEDYPASTORALSOURCE AND SETTINGCHARACTERSMETATHEATREMASQUEWRITING MATTERS2) LANGUAGE: FORMS AND USESVERSE AND PROSEPERSONAL PRONOUNSASIDES AND SOLILOQUIESRHETORICWRITING MATTERS3 LANGUAGE OVER TIMEISSUES OF INTERPRETATIONCONTEMPORARY REFERENCES, CHANGING MEANINGS AND ARCHAIC LANGUAGEINTERPRETATION OF LANGUAGE ON THE MODERN STAGEAS YOU LIKE IT ON FILM: WHERE PICTURES DO THE WORKWRITING MATTERS4) PERFORMING THE LANGUAGEPERFORMING METREPERFORMING RHETORICPERFORMING ‘YOU’ AND ‘THOU’WRITING MATTERSBibliography

Abigail Rokison-Woodall is Lecturer in Shakespeare and Theatre at The Shakespeare Institute, Stratford-upon-Avon, UK and was formerly a professional actor.

A handy and enjoyable reading text.

• INTRODUCTIONDATING THE PLAYTHE FIRST FOLIO AND ITS COPYTHE ELIZABETHAN THEATREBLANK VERSE DRAMATHE CONVENTIONS OF PROSEA CLASSICAL EDUCATION 1) LANGUAGE IN CONTEXTGENREFESTIVE COMEDYPASTORALSOURCE AND SETTINGCHARACTERSMETATHEATREMASQUEWRITING MATTERS2) LANGUAGE: FORMS AND USESVERSE AND PROSEPERSONAL PRONOUNSASIDES AND SOLILOQUIESRHETORICWRITING MATTERS3 LANGUAGE OVER TIMEISSUES OF INTERPRETATIONCONTEMPORARY REFERENCES, CHANGING MEANINGS AND ARCHAIC LANGUAGEINTERPRETATION OF LANGUAGE ON THE MODERN STAGEAS YOU LIKE IT ON FILM: WHERE PICTURES DO THE WORKWRITING MATTERS4) PERFORMING THE LANGUAGEPERFORMING METREPERFORMING RHETORICPERFORMING ‘YOU’ AND ‘THOU’WRITING MATTERSBibliography

Abigail Rokison-Woodall is Lecturer in Shakespeare and Theatre at The Shakespeare Institute, Stratford-upon-Avon, UK and was formerly a professional actor.

A handy and enjoyable reading text.

• INTRODUCTIONDATING THE PLAYTHE FIRST FOLIO AND ITS COPYTHE ELIZABETHAN THEATREBLANK VERSE DRAMATHE CONVENTIONS OF PROSEA CLASSICAL EDUCATION 1) LANGUAGE IN CONTEXTGENREFESTIVE COMEDYPASTORALSOURCE AND SETTINGCHARACTERSMETATHEATREMASQUEWRITING MATTERS2) LANGUAGE: FORMS AND USESVERSE AND PROSEPERSONAL PRONOUNSASIDES AND SOLILOQUIESRHETORICWRITING MATTERS3 LANGUAGE OVER TIMEISSUES OF INTERPRETATIONCONTEMPORARY REFERENCES, CHANGING MEANINGS AND ARCHAIC LANGUAGEINTERPRETATION OF LANGUAGE ON THE MODERN STAGEAS YOU LIKE IT ON FILM: WHERE PICTURES DO THE WORKWRITING MATTERS4) PERFORMING THE LANGUAGEPERFORMING METREPERFORMING RHETORICPERFORMING ‘YOU’ AND ‘THOU’WRITING MATTERSBibliography