Brendan Kavanagh is Postdoctoral Project Researcher at the Joseph Conrad Research Centre of Jagiellonian University, Kraków, Poland.Grazyna Maria Teresa Branny is Associate Professor at the Department of Literature Studies of the Institute of Modern Languages at Akademia Ignatianum, the Jesuit University, Kraków, Poland.Agnieszka Adamowicz-Pospiech is Associate Professor of English Literature at the University of Silesia, Katowice, Poland, and Vice-President of the Polish Joseph Conrad Society.

• List of FiguresList of AbbreviationsAcknowledgmentsPrefaceIntroductionPart 1 Transtextual and Transcultural Bridges1 Conrad’s Triple Perspective: History, Memory, FictionJakob Lothe2 Conrad as a Reader of Adam Mickiewicz’s GrazynaKarol Samsel3 An Epistemological and Denegative Reinterpretation in the Faulknerian Context of Conrad’s Malay Tale: “The Planter of Malata”Grazyna Maria Teresa Branny4 The Power “not to”: Agambenian Thought in Conrad’s Victory and Faulkner’s Intruder in the DustPei-Wen Clio Kao5 “Ich bin nicht einer von euch”: Language as a Tool to Construct the Identities of Conrad’s German-Speaking CharactersEwa Kujawska-LisPart 2 Transmedial and Transnational Negotiations6 Time, Place, Scale, and Decorum: Conrad and the Polish Romantic DramaLaurence Davies7 The “Curve” of Time: Modes of Imaginative Inquiry in Under Western Eyes Anne Luyat8 Conrad’s Afterlife: Adaptations of Conrad’s Biography in Contemporary Polish CultureAgnieszka Adamowicz-Pospiech9 Communication with Marconi’s Electric Waves: Conrad and Wireless TelegraphyKazumichi Enokida10 Representing Conrad in Modern ChinaGloria Kwok Kan Lee11 The Man Who Foresaw It All: Joseph Conrad and IndiaNarugopal MukherjeePart 3 Transtextual and Transcultural Politics12 Transcultural Negotiations: A Personal Record, “Prince Roman,” and “The Warrior’s Soul”Robert Hampson13 Rereading Under Western Eyes from the Polish PerspectiveJoanna Skolik14 The Dangerous Subject Is the Displaced Subject: Conrad’s Short FictionsGeorge Z. Gasyna15 “I Must Live Till I Die—Mustn’t I?”: The Hybrid Art of Joseph Conrad and Salman RushdieG. W. Stephen Brodsky16 Metropolitan Terror in The Secret Agent: Truth and Fiction in a Surreal DramaGerard KilroyNotes on ContributorsIndex

Brendan Kavanagh is Postdoctoral Project Researcher at the Joseph Conrad Research Centre of Jagiellonian University, Kraków, Poland.Grazyna Maria Teresa Branny is Associate Professor at the Department of Literature Studies of the Institute of Modern Languages at Akademia Ignatianum, the Jesuit University, Kraków, Poland.Agnieszka Adamowicz-Pospiech is Associate Professor of English Literature at the University of Silesia, Katowice, Poland, and Vice-President of the Polish Joseph Conrad Society.

• List of FiguresList of AbbreviationsAcknowledgmentsPrefaceIntroductionPart 1 Transtextual and Transcultural Bridges1 Conrad’s Triple Perspective: History, Memory, FictionJakob Lothe2 Conrad as a Reader of Adam Mickiewicz’s GrazynaKarol Samsel3 An Epistemological and Denegative Reinterpretation in the Faulknerian Context of Conrad’s Malay Tale: “The Planter of Malata”Grazyna Maria Teresa Branny4 The Power “not to”: Agambenian Thought in Conrad’s Victory and Faulkner’s Intruder in the DustPei-Wen Clio Kao5 “Ich bin nicht einer von euch”: Language as a Tool to Construct the Identities of Conrad’s German-Speaking CharactersEwa Kujawska-LisPart 2 Transmedial and Transnational Negotiations6 Time, Place, Scale, and Decorum: Conrad and the Polish Romantic DramaLaurence Davies7 The “Curve” of Time: Modes of Imaginative Inquiry in Under Western Eyes Anne Luyat8 Conrad’s Afterlife: Adaptations of Conrad’s Biography in Contemporary Polish CultureAgnieszka Adamowicz-Pospiech9 Communication with Marconi’s Electric Waves: Conrad and Wireless TelegraphyKazumichi Enokida10 Representing Conrad in Modern ChinaGloria Kwok Kan Lee11 The Man Who Foresaw It All: Joseph Conrad and IndiaNarugopal MukherjeePart 3 Transtextual and Transcultural Politics12 Transcultural Negotiations: A Personal Record, “Prince Roman,” and “The Warrior’s Soul”Robert Hampson13 Rereading Under Western Eyes from the Polish PerspectiveJoanna Skolik14 The Dangerous Subject Is the Displaced Subject: Conrad’s Short FictionsGeorge Z. Gasyna15 “I Must Live Till I Die—Mustn’t I?”: The Hybrid Art of Joseph Conrad and Salman RushdieG. W. Stephen Brodsky16 Metropolitan Terror in The Secret Agent: Truth and Fiction in a Surreal DramaGerard KilroyNotes on ContributorsIndex

Brendan Kavanagh is Postdoctoral Project Researcher at the Joseph Conrad Research Centre of Jagiellonian University, Kraków, Poland.Grazyna Maria Teresa Branny is Associate Professor at the Department of Literature Studies of the Institute of Modern Languages at Akademia Ignatianum, the Jesuit University, Kraków, Poland.Agnieszka Adamowicz-Pospiech is Associate Professor of English Literature at the University of Silesia, Katowice, Poland, and Vice-President of the Polish Joseph Conrad Society.

• List of FiguresList of AbbreviationsAcknowledgmentsPrefaceIntroductionPart 1 Transtextual and Transcultural Bridges1 Conrad’s Triple Perspective: History, Memory, FictionJakob Lothe2 Conrad as a Reader of Adam Mickiewicz’s GrazynaKarol Samsel3 An Epistemological and Denegative Reinterpretation in the Faulknerian Context of Conrad’s Malay Tale: “The Planter of Malata”Grazyna Maria Teresa Branny4 The Power “not to”: Agambenian Thought in Conrad’s Victory and Faulkner’s Intruder in the DustPei-Wen Clio Kao5 “Ich bin nicht einer von euch”: Language as a Tool to Construct the Identities of Conrad’s German-Speaking CharactersEwa Kujawska-LisPart 2 Transmedial and Transnational Negotiations6 Time, Place, Scale, and Decorum: Conrad and the Polish Romantic DramaLaurence Davies7 The “Curve” of Time: Modes of Imaginative Inquiry in Under Western Eyes Anne Luyat8 Conrad’s Afterlife: Adaptations of Conrad’s Biography in Contemporary Polish CultureAgnieszka Adamowicz-Pospiech9 Communication with Marconi’s Electric Waves: Conrad and Wireless TelegraphyKazumichi Enokida10 Representing Conrad in Modern ChinaGloria Kwok Kan Lee11 The Man Who Foresaw It All: Joseph Conrad and IndiaNarugopal MukherjeePart 3 Transtextual and Transcultural Politics12 Transcultural Negotiations: A Personal Record, “Prince Roman,” and “The Warrior’s Soul”Robert Hampson13 Rereading Under Western Eyes from the Polish PerspectiveJoanna Skolik14 The Dangerous Subject Is the Displaced Subject: Conrad’s Short FictionsGeorge Z. Gasyna15 “I Must Live Till I Die—Mustn’t I?”: The Hybrid Art of Joseph Conrad and Salman RushdieG. W. Stephen Brodsky16 Metropolitan Terror in The Secret Agent: Truth and Fiction in a Surreal DramaGerard KilroyNotes on ContributorsIndex