Sarah Gamble is Associate Professor in English with Gender at Swansea University, UK.Anna Watz is Associate Professor of English at Uppsala University, Sweden.

• List of ContributorsList of IllustrationsAcknowledgementsForeword: In the Company of Animals, Samantha Sweeting (Independent Scholar, UK)Introduction, Sarah Gamble (Swansea University, UK) and Anna Watz (Uppsala University, Sweden)Section One: Contemporary Theories and Methodologies1. Flaunting the Signifier: Angela Carter’s Love and Ordinary Language Philosophy, Maggie Tonkin (University of Adelaide, Australia)2.. ‘Now You Are at the Place of Annihilation’: Angela Carter’s Posthuman Politics, Hope Jennings (Wright State University, USA)3.. Wounded Flesh: Angela Carter, Rikki Ducornet and the Politics of Vulnerability: A Research-Creation Essay, Michelle Ryan (Université d’Angers, France)Section Two: Re-Visioning4. Visuality, Gender and Power: Exploring the Female Artist-Performer in Selected Works by Angela Carter, Caleb Ferrari (University of the West of England, UK)5. Shadow Dance’s ‘Extreme Eclecticism’ – Magic-Realist Painting in the Carterian Tradition, Felicity Gee (University of Exeter, UK)6. ‘Big Ben Had Once Again Struck Midnight’: Neo-Victorian and SF Temporalities in Angela Carter’s Nights at the Circus, Rosalind Crocker (University of Sheffield, UK)Section Three: Adaptations and Legacies7. Our Sisters, Our Shelves: Cultural Work as Sistership Work and ‘Fairy God-Mother’ Carter, Sarah Featonby (Loughborough University, UK)8. Hybrid Forms: Nights at the Circus and Adaptation, Frances Babbage (University of Sheffield, UK)9. ‘Nothing Sacred’: Angela Carter’s Iconoclasm, Place-Making and Memorialization, Charlotte Crofts (University of the West of England, UK) and Marie Mulvey-Roberts (University of the West of England, UK)10. Carterian Wine in New Bottles: An Interview with Four Women Writers, Intan Paramaditha (Macquarie University, Australia), Sofia Samatar (James Madison University, USA), Veronica Schanoes (City University of New York, USA), Marina Warner (Birkbeck College, UK) and Cristina Bacchilega (University of Hawai‘i-Manoa, USA)

Sarah Gamble is Associate Professor in English with Gender at Swansea University, UK.Anna Watz is Associate Professor of English at Uppsala University, Sweden.

• List of ContributorsList of IllustrationsAcknowledgementsForeword: In the Company of Animals, Samantha Sweeting (Independent Scholar, UK)Introduction, Sarah Gamble (Swansea University, UK) and Anna Watz (Uppsala University, Sweden)Section One: Contemporary Theories and Methodologies1. Flaunting the Signifier: Angela Carter’s Love and Ordinary Language Philosophy, Maggie Tonkin (University of Adelaide, Australia)2.. ‘Now You Are at the Place of Annihilation’: Angela Carter’s Posthuman Politics, Hope Jennings (Wright State University, USA)3.. Wounded Flesh: Angela Carter, Rikki Ducornet and the Politics of Vulnerability: A Research-Creation Essay, Michelle Ryan (Université d’Angers, France)Section Two: Re-Visioning4. Visuality, Gender and Power: Exploring the Female Artist-Performer in Selected Works by Angela Carter, Caleb Ferrari (University of the West of England, UK)5. Shadow Dance’s ‘Extreme Eclecticism’ – Magic-Realist Painting in the Carterian Tradition, Felicity Gee (University of Exeter, UK)6. ‘Big Ben Had Once Again Struck Midnight’: Neo-Victorian and SF Temporalities in Angela Carter’s Nights at the Circus, Rosalind Crocker (University of Sheffield, UK)Section Three: Adaptations and Legacies7. Our Sisters, Our Shelves: Cultural Work as Sistership Work and ‘Fairy God-Mother’ Carter, Sarah Featonby (Loughborough University, UK)8. Hybrid Forms: Nights at the Circus and Adaptation, Frances Babbage (University of Sheffield, UK)9. ‘Nothing Sacred’: Angela Carter’s Iconoclasm, Place-Making and Memorialization, Charlotte Crofts (University of the West of England, UK) and Marie Mulvey-Roberts (University of the West of England, UK)10. Carterian Wine in New Bottles: An Interview with Four Women Writers, Intan Paramaditha (Macquarie University, Australia), Sofia Samatar (James Madison University, USA), Veronica Schanoes (City University of New York, USA), Marina Warner (Birkbeck College, UK) and Cristina Bacchilega (University of Hawai‘i-Manoa, USA)

Sarah Gamble is Associate Professor in English with Gender at Swansea University, UK.Anna Watz is Associate Professor of English at Uppsala University, Sweden.

• List of ContributorsList of IllustrationsAcknowledgementsForeword: In the Company of Animals, Samantha Sweeting (Independent Scholar, UK)Introduction, Sarah Gamble (Swansea University, UK) and Anna Watz (Uppsala University, Sweden)Section One: Contemporary Theories and Methodologies1. Flaunting the Signifier: Angela Carter’s Love and Ordinary Language Philosophy, Maggie Tonkin (University of Adelaide, Australia)2.. ‘Now You Are at the Place of Annihilation’: Angela Carter’s Posthuman Politics, Hope Jennings (Wright State University, USA)3.. Wounded Flesh: Angela Carter, Rikki Ducornet and the Politics of Vulnerability: A Research-Creation Essay, Michelle Ryan (Université d’Angers, France)Section Two: Re-Visioning4. Visuality, Gender and Power: Exploring the Female Artist-Performer in Selected Works by Angela Carter, Caleb Ferrari (University of the West of England, UK)5. Shadow Dance’s ‘Extreme Eclecticism’ – Magic-Realist Painting in the Carterian Tradition, Felicity Gee (University of Exeter, UK)6. ‘Big Ben Had Once Again Struck Midnight’: Neo-Victorian and SF Temporalities in Angela Carter’s Nights at the Circus, Rosalind Crocker (University of Sheffield, UK)Section Three: Adaptations and Legacies7. Our Sisters, Our Shelves: Cultural Work as Sistership Work and ‘Fairy God-Mother’ Carter, Sarah Featonby (Loughborough University, UK)8. Hybrid Forms: Nights at the Circus and Adaptation, Frances Babbage (University of Sheffield, UK)9. ‘Nothing Sacred’: Angela Carter’s Iconoclasm, Place-Making and Memorialization, Charlotte Crofts (University of the West of England, UK) and Marie Mulvey-Roberts (University of the West of England, UK)10. Carterian Wine in New Bottles: An Interview with Four Women Writers, Intan Paramaditha (Macquarie University, Australia), Sofia Samatar (James Madison University, USA), Veronica Schanoes (City University of New York, USA), Marina Warner (Birkbeck College, UK) and Cristina Bacchilega (University of Hawai‘i-Manoa, USA)