Lloyd Suh is the author of plays including The Heart Sellers, The Chinese Lady, The Far Country (Pulitzer Prize finalist), Bina’s Six Apples, Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery, Franklinland, American Hwangap, and others, which have been produced at the Atlantic Theater Company, Public Theater, Alliance Theatre, Huntington Theater, Milwaukee Rep, Denver Center, Magic Theatre, Berkeley Rep, Children's Theatre Company, Ma-Yi Theatre Company, and the National Asian American Theatre Company among others, including internationally at the Cultural Center of the Philippines and with PCPA at the Guerilla Theatre in Seoul, Korea. Awards include the Steinberg Playwright Award, Guggenheim Fellowship, Herb Alpert Award, Horton Foote Prize, and Helen Merrill Award. He served as Director of Artistic Programs at The Lark from 2011-20. A resident playwright at New Dramatists and a Lifetime Member of the Actors Studio and Ensemble Studio Theatre, he was elected in 2016 to the Dramatists Guild Council and serves as a Professor of the Practice at Princeton University.Christine Mok is Associate Professor of English at the University of Rhode Island, USA. Her work has been published in the Journal of Asian American Studies, Theatre Survey, Theatre Journal, Modern Drama, and PAJ: A Journal of Performance and Art. She is co-editor with Joshua Chambers-Letson of Frances Ya-Chu Cowhig’s China Trilogy: Three Parables of Global Capital (Methuen Drama, 2022).

• List of ContributorsIntroduction Christine MokPreface Amy B. HuangThe Chinese LadyPostscript Shannon TyoPreface Ju Yon KimThe Far CountryPostscript Whit K. LeePreface Elizabeth SonBina’s Six ApplesPostscript Jiyoun ChangPreface Christine MokCharles Francis Chan Jr.'s Exotic Oriental Murder MysteryPostscript Peter KimPreface Lucy Mae Pablo BurnsThe Heart SellersPostscript May AdralesThe Long Answer: A Conversation with Lloyd SuhAcknowledgements

Lloyd Suh is the author of plays including The Heart Sellers, The Chinese Lady, The Far Country (Pulitzer Prize finalist), Bina’s Six Apples, Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery, Franklinland, American Hwangap, and others, which have been produced at the Atlantic Theater Company, Public Theater, Alliance Theatre, Huntington Theater, Milwaukee Rep, Denver Center, Magic Theatre, Berkeley Rep, Children's Theatre Company, Ma-Yi Theatre Company, and the National Asian American Theatre Company among others, including internationally at the Cultural Center of the Philippines and with PCPA at the Guerilla Theatre in Seoul, Korea. Awards include the Steinberg Playwright Award, Guggenheim Fellowship, Herb Alpert Award, Horton Foote Prize, and Helen Merrill Award. He served as Director of Artistic Programs at The Lark from 2011-20. A resident playwright at New Dramatists and a Lifetime Member of the Actors Studio and Ensemble Studio Theatre, he was elected in 2016 to the Dramatists Guild Council and serves as a Professor of the Practice at Princeton University.Christine Mok is Associate Professor of English at the University of Rhode Island, USA. Her work has been published in the Journal of Asian American Studies, Theatre Survey, Theatre Journal, Modern Drama, and PAJ: A Journal of Performance and Art. She is co-editor with Joshua Chambers-Letson of Frances Ya-Chu Cowhig’s China Trilogy: Three Parables of Global Capital (Methuen Drama, 2022).

• List of ContributorsIntroduction Christine MokPreface Amy B. HuangThe Chinese LadyPostscript Shannon TyoPreface Ju Yon KimThe Far CountryPostscript Whit K. LeePreface Elizabeth SonBina’s Six ApplesPostscript Jiyoun ChangPreface Christine MokCharles Francis Chan Jr.'s Exotic Oriental Murder MysteryPostscript Peter KimPreface Lucy Mae Pablo BurnsThe Heart SellersPostscript May AdralesThe Long Answer: A Conversation with Lloyd SuhAcknowledgements

Lloyd Suh is the author of plays including The Heart Sellers, The Chinese Lady, The Far Country (Pulitzer Prize finalist), Bina’s Six Apples, Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery, Franklinland, American Hwangap, and others, which have been produced at the Atlantic Theater Company, Public Theater, Alliance Theatre, Huntington Theater, Milwaukee Rep, Denver Center, Magic Theatre, Berkeley Rep, Children's Theatre Company, Ma-Yi Theatre Company, and the National Asian American Theatre Company among others, including internationally at the Cultural Center of the Philippines and with PCPA at the Guerilla Theatre in Seoul, Korea. Awards include the Steinberg Playwright Award, Guggenheim Fellowship, Herb Alpert Award, Horton Foote Prize, and Helen Merrill Award. He served as Director of Artistic Programs at The Lark from 2011-20. A resident playwright at New Dramatists and a Lifetime Member of the Actors Studio and Ensemble Studio Theatre, he was elected in 2016 to the Dramatists Guild Council and serves as a Professor of the Practice at Princeton University.Christine Mok is Associate Professor of English at the University of Rhode Island, USA. Her work has been published in the Journal of Asian American Studies, Theatre Survey, Theatre Journal, Modern Drama, and PAJ: A Journal of Performance and Art. She is co-editor with Joshua Chambers-Letson of Frances Ya-Chu Cowhig’s China Trilogy: Three Parables of Global Capital (Methuen Drama, 2022).

• List of ContributorsIntroduction Christine MokPreface Amy B. HuangThe Chinese LadyPostscript Shannon TyoPreface Ju Yon KimThe Far CountryPostscript Whit K. LeePreface Elizabeth SonBina’s Six ApplesPostscript Jiyoun ChangPreface Christine MokCharles Francis Chan Jr.'s Exotic Oriental Murder MysteryPostscript Peter KimPreface Lucy Mae Pablo BurnsThe Heart SellersPostscript May AdralesThe Long Answer: A Conversation with Lloyd SuhAcknowledgements