This comprehensive volume offers compelling critical essays surveying the myriad forms of innovation in contemporary Anglophone life writing. Experimental Life Writing Today provides a historical and critical context for examining avant-garde tendencies in biography and autobiography and outlines the poetics of experimental life writing. The volume is divided into two parts. The first is devoted to a selection of experimental genres of life writing: autofiction, biofiction, paramemoir, autotheory, graphic memoir, photo-memoir, eco-memoir and the lyric essay. Part Two includes chapters concerned with the following themes, concepts and devices set in the context of experimental life writing: illness, disability, mourning, relationality, place, catalogue, narration and fragmentation. To ensure clarity and consistency, each chapter follows the same structure: a theoretical discussion of a given notion, comprising a brief discussion of its various aspects and examples, followed by a close reading of a chosen text. Case studies are devoted to significant contemporary works by authors such as Hazel V. Carby, J. M. Coetzee, Anne Garr ta, Karen Green, Vona Groarke, Han Kang, Mary Karr, Deborah Levy, Hilary Mantel, Maggie Nelson, Ruth Ozeki, Mark Tredinnick, Una, D.J. Waldie and Wim Wenders. The volume is dedicated to exploring innovative forms of, and in, contemporary Anglophone life writing, and it makes an important contribution to a rich and burgeoning field of interdisciplinary practice and research.
