Sculptural Body in Victorian Literature

Patricia Pulham is Professor of Victorian Literature at the University of Surrey and editor of the EUP journal, Victoriographies. Her research focuses on Victorian literature, culture and the visual arts, and she has published widely on a range of nineteenth-century authors. She joined the University of Surrey in 2017 where she is Director of Research in the School of Literature and Languages and teaches modules on the Victorian fin-de-siècle and neo-Victorian literature.

The Sculptural Body in Victorian Literature is a pertinently thought-provoking text. Its contents are thoroughly researched and productively interdisciplinary, and I do not doubt that the book will prove highly useful to those researching in gender and sexuality studies, museum studies, and nineteenth-century literature and art history for many years to come. Moving forward, I hope that relevant scholars will begin to work on answering Pulham’s concluding call for more research to be undertaken into instances where literature, sculpture, race, and/or national identity intersect.

• List of IllustrationsSeries Editor’s PrefaceAcknowledgementsIntroduction1: Nineteenth-Century Pygmalions: The Sexual Politics of Tactility2: Artworks in Marble: Capturing Venus in Durable Form3: ‘Of marble men and maidens’: Sculptural Transformations4: Statuephilia and the Love of the Impossible5: Between Death and Sleep: Libidinal EntombmentsWorks CitedIndex