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    1. Skönlitteratur
    2. Litteraturvetenskap

    British Public and the British Museum

    Shaping and Sharing Knowledge in the Nineteenth Century

    AvJordan Kistler

    Inbunden, Engelska, 2026

    Del i serien Nineteenth-Century and Neo-Victorian Cultures

    1 301 kr

    Skickas . Fri frakt över 249 kr.

    Beskrivning

    This book is a timely intervention in the history of museums in Britain. BP’s ongoing sponsorship of the British Museum, the appointment of George Osborne as a trustee and the Museum’s continued resistance to the repatriation of holdings such as the Parthenon Marbles and the Benin Bronzes have brought questions of the Museum’s funding, leadership and right to the objects in its collection to increased public attention. The book reveals this is not a recent ‘woke’ agenda but rather part of a long history of public resistance and activism enacted through the British Museum. It presents a cultural history of the nineteenth-century British Museum, departing from traditional institutional histories by centring public perception of the museum’s purpose and its uses in society.

    Produktinformation

    • Utgivningsdatum:2026-05-31
    • Mått:156 x 234 x 19 mm
    • Vikt:626 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Nineteenth-Century and Neo-Victorian Cultures
    • Antal sidor:320
    • Förlag:Edinburgh University Press
    • ISBN:9781399523752

    Utforska kategorier

    • Litteraturvetenskap inom Skönlitteratur
    • Litteraturvetenskap inom Skönlitteratur

    Mer om författaren

    Jordan Kistler is a Senior Lecturer in English at the University of Strathclyde, working in the fields of literature and science and museum studies. Her works focuses on the intersections between science and the arts, particularly within museum spaces. Her research advocates for the application of literary criticism to museums, pioneering a new critical approach to exhibition studies, and has been published in world-leading interdisciplinary journals like Museum & Society and Configurations (official publication of the Society for Literature, Science, and the Arts). Her first monograph, Arthur O’Shaughnessy: A Pre-Raphaelite Poet in the British Museum (2016) examined the intersections between art and science in the poetry of one naturalist working in the British Museum.

    Recensioner i media

    Kistler challenges many conventional ideas of museum history, demonstrating that public audiences, including the working class, were as impactful in the shaping of the British Museum as were scholars and politicians. This magisterial drawing together of social history, literature, archival studies, museum studies, and the history of science challenges long-held beliefs about the development of the British Museum as a public institution. In telling the story of the wider public and the museum, Kistler shines a light on 19th-century attitudes towards class, education, imperialism, and public spaces that still haunt us today.

    Innehållsförteckning

    • List of FiguresAcknowledgementsIntroduction: Reconstructing Public Opinion1. Categorising the Museum2. Working-Class Access and the Sunday Question3. Constructing Truth in the Museum4. Reading the Museum: Serial Display5. A National Museum6. Appropriating the Ancient PastConclusion: Museums TodayBibliographyIndex