Keith Williams is Reader in English Literature at the University of Dundee, Scotland. His most recent monograph is James Joyce and Cinematicity: Before and After Film (2020), which received excellent reviews in leading periodicals, including The James Joyce Quarterly, James Joyce Broadsheet, James Joyce Literary Supplement, Irish Studies Review and Dublin Review of Books.He has researched and published widely on interactions between modern literature and technological media, including H.G. Wells, Modernity and the Movies (Liverpool University Press, 2007), as well as supervising PhD projects in the area.He also engages in creative collaborations with professional magic lanternists, musicians and vocalists, showcasing relations between writers and early moving image media, including Joyce. Dr Williams currently leads a project to recover the work of a late 19th century Scottish science fiction pioneer who imagined many new media and their global impacts. The first critical selection from this (edited with Ari Brin) is The Essential Robert Duncan Milne: Stories by the Lost Pioneer of Transatlantic Science Fiction (2025).Cleo Hanaway-Oakley is Senior Lecturer in Liberal Arts and English at the University of Bristol. She is also an elected trustee of the International James Joyce Foundation and an advisory editor for the James Joyce Quarterly. She specialises in the work of James Joyce, literary modernism and the arts, medical humanities, disability, sensing and the sensory, and notions of embodiment.Her first monograph, James Joyce and the Phenomenology of Film, was published in 2017. She is currently working on her second monograph, James Joyce and Dynamic Vision. Her writing on Joyce captures the attention of scholars as well as lay readers. She recently published a piece aimed at medical professionals: ‘The Iridescent Vision of James Joyce’, in The New Optometrist, 23 Sep 2024, and The Ophthalmologist, 21 Oct 2024. And her public-facing article, ‘Ulysses at 100: why Joyce was so obsessed with the perfect blue cover’, in The Conversation, 1 February 2022, inspired artist Alistair Noble to create a new artwork entitled ‘ULIXES: A meditation on blue’.

Expansive, adventurous, groundbreaking and often illuminating, The Edinburgh Companion to James Joyce and the Arts reveals how Joyce’s writing absorbed and transformed the arts and media of his time and, in turn, has inspired creative work ever since. Its range and intellectual vitality make it indispensable for Joyceans and modernists alike.

• List of IllustrationsAcknowledgementsStandard Works By or About James JoyceForewordStephen Coppel Introduction: James Joyce and the ArtsKeith Williams and Cleo Hanaway-OakleyPart I: Becoming Joyce’s Contemporaries 1. James Joyce and Art Writing: Indirect Efficacy, Potential (Art) History and AdjacencyChrista-Maria Lerm Hayes2. Joyce and the Art of BlindnessCleo Hanaway-Oakley3. Joyce. Beckett. MimesisSam Slote4. Toilet Rolls and Chinese Pills: Joyce, Paper Culture and other ModernistsJohn CoylePart II: Mapping the Joycean Imaginary 5. Pacing out Ulysses: Pictorial Mapping as an Act of ReadingMichael Kirkham6. ‘Loose ties’ in ‘Aeolus’: The Paris Commune, the 1913 Lockout and the Art of RhetoricCatherine Flynn7. Architecture in Finnegans WakeDavid Spurr8. The Art of Curating JoyceSimon O’ConnorPart III: Fine and Popular Arts 9. Henri Matisse and James Joyce: The Limited Editions Club Ulysses as a Modernist Temporal ArtefactKathryn Brown10. Mimmo Paladino, Ulysses c’est moi: Joyce and Paladino’s Significant NonsenseStephanie Morin11. A Broken Mandala: Reading Finnegans Wake through Illustrative PracticeClinton Cahill12. The Logical Art of Finnegans Wake Sangam MacDuff13. Intermedial Joyce: Exploring Joycean Comics, Graphic Novels and Graphic NarrativesFrancesco LupatelliPart IV: Textual Arts 14. A Portrait of the Artist as a Learner and a TeacherElizabeth Switaj15. Scalding the Teapot: Joyce and the Art of PsychoanalysisLuke Thurston16. In Search of ‘too-dimensional writing’: Hypertextual Joyce, Joycean HypertextDavid Vichnar17. Joyce and the Art of PoetryNorbert Lennartz18. ‘There being more languages to start with' (U 16.352): Translation in James Joyce’s ArtJolanta WawrzyckaPart V: Music, Sound and Broadcasting 19. ‘Poor Old Balfe’: Joyce and Popular MusicMichelle Witen20. Endless Melody, Endless Prose: Joyce, Wagner and the Quest for a Universal ArtworkJosh Torabi21. Joyce’s Music of the FutureJean-Michel Rabaté22. Joyce and BroadcastingDaniel Ryan Morse23. Joyce’s Bag of Mechanical Winds: ‘Aeolus’ and Modern ListeningLeah TothPart VI: Arts of Performance 24. James Joyce, the Music Hall and Media EnvironmentsBarry J. Faulk25. Joyce and PerformanceEleanor Lybeck26. James Joyce, Lucia Joyce and the Illuminated Letters: A Creative pas-de-deuxGenevieve Sartor27. Garment Cultures in James JoyceVike PlockPart VII: Journalism and Publishing 28. ‘[H]is eye running down the typescript’: Ulysses and the Art of RevisionClare Hutton29. Joyce, Censorship and the Erotic ArtsRichard Brown30. As Writer, Reader and Collector: Joyce’s Threefold Engagement with the PressDipanjan Maitra31. Joyce and the Art of AdvertisementMatthew HaywardPart VIII: Photography and Moving Image Media 32. Photo Girls: Joyce and the Art of PhotographyGeorgina Binnie-Wright33. ‘Percolating Up’: Joyce and the Art of Pre-Filmic MediaKeith Williams34. Joyce, the Stream of Consciousness and the Camera-EyeAdam Cuthbert35. ‘Italian Bioscope Company Invades Dublin’: James Joyce’s Cinematograph Volta in Ireland’sMoving-Image CultureDenis Condon36. Joyce’s Haunted Inkbottle: Early Animation and the Modernist Literary ExperimentNicholas Andrew MillerNotes on ContributorsIndex

Keith Williams is Reader in English Literature at the University of Dundee, Scotland. His most recent monograph is James Joyce and Cinematicity: Before and After Film (2020), which received excellent reviews in leading periodicals, including The James Joyce Quarterly, James Joyce Broadsheet, James Joyce Literary Supplement, Irish Studies Review and Dublin Review of Books.He has researched and published widely on interactions between modern literature and technological media, including H.G. Wells, Modernity and the Movies (Liverpool University Press, 2007), as well as supervising PhD projects in the area.He also engages in creative collaborations with professional magic lanternists, musicians and vocalists, showcasing relations between writers and early moving image media, including Joyce. Dr Williams currently leads a project to recover the work of a late 19th century Scottish science fiction pioneer who imagined many new media and their global impacts. The first critical selection from this (edited with Ari Brin) is The Essential Robert Duncan Milne: Stories by the Lost Pioneer of Transatlantic Science Fiction (2025).Cleo Hanaway-Oakley is Senior Lecturer in Liberal Arts and English at the University of Bristol. She is also an elected trustee of the International James Joyce Foundation and an advisory editor for the James Joyce Quarterly. She specialises in the work of James Joyce, literary modernism and the arts, medical humanities, disability, sensing and the sensory, and notions of embodiment.Her first monograph, James Joyce and the Phenomenology of Film, was published in 2017. She is currently working on her second monograph, James Joyce and Dynamic Vision. Her writing on Joyce captures the attention of scholars as well as lay readers. She recently published a piece aimed at medical professionals: ‘The Iridescent Vision of James Joyce’, in The New Optometrist, 23 Sep 2024, and The Ophthalmologist, 21 Oct 2024. And her public-facing article, ‘Ulysses at 100: why Joyce was so obsessed with the perfect blue cover’, in The Conversation, 1 February 2022, inspired artist Alistair Noble to create a new artwork entitled ‘ULIXES: A meditation on blue’.

Expansive, adventurous, groundbreaking and often illuminating, The Edinburgh Companion to James Joyce and the Arts reveals how Joyce’s writing absorbed and transformed the arts and media of his time and, in turn, has inspired creative work ever since. Its range and intellectual vitality make it indispensable for Joyceans and modernists alike.

• List of IllustrationsAcknowledgementsStandard Works By or About James JoyceForewordStephen Coppel Introduction: James Joyce and the ArtsKeith Williams and Cleo Hanaway-OakleyPart I: Becoming Joyce’s Contemporaries 1. James Joyce and Art Writing: Indirect Efficacy, Potential (Art) History and AdjacencyChrista-Maria Lerm Hayes2. Joyce and the Art of BlindnessCleo Hanaway-Oakley3. Joyce. Beckett. MimesisSam Slote4. Toilet Rolls and Chinese Pills: Joyce, Paper Culture and other ModernistsJohn CoylePart II: Mapping the Joycean Imaginary 5. Pacing out Ulysses: Pictorial Mapping as an Act of ReadingMichael Kirkham6. ‘Loose ties’ in ‘Aeolus’: The Paris Commune, the 1913 Lockout and the Art of RhetoricCatherine Flynn7. Architecture in Finnegans WakeDavid Spurr8. The Art of Curating JoyceSimon O’ConnorPart III: Fine and Popular Arts 9. Henri Matisse and James Joyce: The Limited Editions Club Ulysses as a Modernist Temporal ArtefactKathryn Brown10. Mimmo Paladino, Ulysses c’est moi: Joyce and Paladino’s Significant NonsenseStephanie Morin11. A Broken Mandala: Reading Finnegans Wake through Illustrative PracticeClinton Cahill12. The Logical Art of Finnegans Wake Sangam MacDuff13. Intermedial Joyce: Exploring Joycean Comics, Graphic Novels and Graphic NarrativesFrancesco LupatelliPart IV: Textual Arts 14. A Portrait of the Artist as a Learner and a TeacherElizabeth Switaj15. Scalding the Teapot: Joyce and the Art of PsychoanalysisLuke Thurston16. In Search of ‘too-dimensional writing’: Hypertextual Joyce, Joycean HypertextDavid Vichnar17. Joyce and the Art of PoetryNorbert Lennartz18. ‘There being more languages to start with' (U 16.352): Translation in James Joyce’s ArtJolanta WawrzyckaPart V: Music, Sound and Broadcasting 19. ‘Poor Old Balfe’: Joyce and Popular MusicMichelle Witen20. Endless Melody, Endless Prose: Joyce, Wagner and the Quest for a Universal ArtworkJosh Torabi21. Joyce’s Music of the FutureJean-Michel Rabaté22. Joyce and BroadcastingDaniel Ryan Morse23. Joyce’s Bag of Mechanical Winds: ‘Aeolus’ and Modern ListeningLeah TothPart VI: Arts of Performance 24. James Joyce, the Music Hall and Media EnvironmentsBarry J. Faulk25. Joyce and PerformanceEleanor Lybeck26. James Joyce, Lucia Joyce and the Illuminated Letters: A Creative pas-de-deuxGenevieve Sartor27. Garment Cultures in James JoyceVike PlockPart VII: Journalism and Publishing 28. ‘[H]is eye running down the typescript’: Ulysses and the Art of RevisionClare Hutton29. Joyce, Censorship and the Erotic ArtsRichard Brown30. As Writer, Reader and Collector: Joyce’s Threefold Engagement with the PressDipanjan Maitra31. Joyce and the Art of AdvertisementMatthew HaywardPart VIII: Photography and Moving Image Media 32. Photo Girls: Joyce and the Art of PhotographyGeorgina Binnie-Wright33. ‘Percolating Up’: Joyce and the Art of Pre-Filmic MediaKeith Williams34. Joyce, the Stream of Consciousness and the Camera-EyeAdam Cuthbert35. ‘Italian Bioscope Company Invades Dublin’: James Joyce’s Cinematograph Volta in Ireland’sMoving-Image CultureDenis Condon36. Joyce’s Haunted Inkbottle: Early Animation and the Modernist Literary ExperimentNicholas Andrew MillerNotes on ContributorsIndex