Nicola Darwood is a Senior Lecturer in English Literature and Director of the Research Institute for Media, Arts and Performance at the University of Bedfordshire, UK. Her research interests include early twentieth-century women writers, specifically the work of Elizabeth Bowen and Stella Benson. She has published widely on Elizabeth Bowen, Stella Benson and Nancy Spain, including her monograph A World of Lost Innocence: the fiction of Elizabeth Bowen (2012). She is the co-chair of the Elizabeth Bowen Society and co-editor of The Elizabeth Bowen Review. Nick Turner is an Associate Lecturer with the Open University and a Lecturer at Kirklees College, UK. He is the co-chair of the Elizabeth Bowen Society and co-editor of the Elizabeth Bowen Review. He has published work on Elizabeth von Arnim, Mary Fitt, Barbara Comyns and interwar and post-war women writers more widely, including his monograph Post-War British Women Novelists and the Canon (2010).

If you thought you knew about women writers in the interwar period, think again. With chapters touching on a wide range of women’s writing about spaces and places, this book brings together canonical and lesser-known authors to show what a varied, unexplored terrain the interwar years still are for feminist scholarship.

• AcknowledgementsIntroduction: Understanding and Redefining Place and Space in Interwar Women's Writing in EnglishNicola Darwood and Nick TurnerPart I. The Politics of Home1. Metaphor for a Marriage: The Construction of ‘home’ in The Return of the Soldier by Rebecca West and Vera by Elizabeth von ArnimJackie Goodman2. In the Boudoir: Spaces of Feminine Self-Fashioning in the Work of Virginia Woolf, Elizabeth von Arnim, Daphne du Maurier and D. E. StevensonJennifer Shepherd3. Heterotopic Reflections in Between the Acts: Pointz Hall, Mirrors and the PageantDemet Karabulut Dede4. Finding Room and a Place: G. B. Stern and the Politics of the Family HouseAlexis Weedon5. Reimagining Domestic Space in Leonora Carrington’s ‘becoming animal’ NarrativesKaren Eckersley6. ‘A Man’s Place is in the Home?’: Women and the Home in the Writings of Dorothy L. SayersSuzanne BrayPart II. Betwixt and Between7. Between Flat Surfaces and Hard Edges in Treadwell’s MachinalLynn Deboek8. ‘Woman on the Verge’: Mary Fitt, Borders and the Country House Novel of the 1930sNick Turner9. Challenging class attitudes in Noel Streatfeild’s The Circus is Coming/Circus Shoes (1938)Deborah Giggle10. Refusing the Tragic Pose: Zora Neale Hurston and the Cultural Politics of the Harlem RenaissanceOliver BelasPart III. Tales of Travel11. ‘When I was young, I travelled by mistake, but now I do it on purpose’: The Worlds of Stella BensonNicola Darwood12. ‘This isn’t the sort of place you’d get a body!’: Tourism, Fantasy and Spatial Performance in Agatha Christie’s Holiday NovelsBrittain Bright13. The Englishman on My Shoulder: The Spatial Determination of Middle-Class Femininity in Elizabeth von Arnim’s In the Mountains and The Enchanted AprilElizabeth Floyd14. A Provincial Cosmopolitanism: The Country and the City in E. M. Delafield’s The Provincial LadyShinjini Chattopadhyay15. Home Is Where the Train Station Is: Elizabeth Bowen’s The House in Paris and a Mobile DomesticityMargaret MaukPart IV. Rural and Urban16. The ‘housed wattle’ and the ‘flint cottage’: Sylvia Townsend Warner Re-Places the Chimney OrnamentClaire Pelly17. ‘I in space—': Baroness Elsa von Freytag-Loringhoven’s Poetic Relationship with New York CityCeleste van der Linde18. A Country of One’s Own: Adapting Woolfian Space and Place in Mollie Panter-Downes’s My Husband SimonMelissa Dinsman19. Spectres of War in the Modern City: Post-War London as a Site of Memory in Storm Jameson’s The Mirror in Darkness TrilogyAngela Smith20. Escaping to Barsetshire: Angela Thirkell’s Therapeutic LandscapeGeraldine Perriam21. ‘A removal […] is like a slow journey across difficult country’: Interwar Transitions in English National IdentityLauren Macpherson22. Female Agency and Power in Hilda Vaughan’s Interwar WritingPhilip MilesPart V. Psychological Spaces23. ‘Rooms again’ – Spatiality in H.D.’s Tribute to FreudElisabeth Punzi and Cornelia Wächter24. Safe Spaces: Lyric Refuge in H.D.’s Madrigal CycleKate Eliot 25. ‘Geography of Echoes:’ A Study of Topographical Montage in Leonora Carrington’s Novella Little FrancisPenny Simpson26. Liminality and Displacement in Djuna Barnes’s Nightwood and Elizabeth Bowen’s The Death of the HeartLayla Ferrández MeleroCoda: From the Parlour to Outer SpaceNick Turner and Nicola DarwoodNotes on ContributorsIndex

Nicola Darwood is a Senior Lecturer in English Literature and Director of the Research Institute for Media, Arts and Performance at the University of Bedfordshire, UK. Her research interests include early twentieth-century women writers, specifically the work of Elizabeth Bowen and Stella Benson. She has published widely on Elizabeth Bowen, Stella Benson and Nancy Spain, including her monograph A World of Lost Innocence: the fiction of Elizabeth Bowen (2012). She is the co-chair of the Elizabeth Bowen Society and co-editor of The Elizabeth Bowen Review. Nick Turner is an Associate Lecturer with the Open University and a Lecturer at Kirklees College, UK. He is the co-chair of the Elizabeth Bowen Society and co-editor of the Elizabeth Bowen Review. He has published work on Elizabeth von Arnim, Mary Fitt, Barbara Comyns and interwar and post-war women writers more widely, including his monograph Post-War British Women Novelists and the Canon (2010).

If you thought you knew about women writers in the interwar period, think again. With chapters touching on a wide range of women’s writing about spaces and places, this book brings together canonical and lesser-known authors to show what a varied, unexplored terrain the interwar years still are for feminist scholarship.

• AcknowledgementsIntroduction: Understanding and Redefining Place and Space in Interwar Women's Writing in EnglishNicola Darwood and Nick TurnerPart I. The Politics of Home1. Metaphor for a Marriage: The Construction of ‘home’ in The Return of the Soldier by Rebecca West and Vera by Elizabeth von ArnimJackie Goodman2. In the Boudoir: Spaces of Feminine Self-Fashioning in the Work of Virginia Woolf, Elizabeth von Arnim, Daphne du Maurier and D. E. StevensonJennifer Shepherd3. Heterotopic Reflections in Between the Acts: Pointz Hall, Mirrors and the PageantDemet Karabulut Dede4. Finding Room and a Place: G. B. Stern and the Politics of the Family HouseAlexis Weedon5. Reimagining Domestic Space in Leonora Carrington’s ‘becoming animal’ NarrativesKaren Eckersley6. ‘A Man’s Place is in the Home?’: Women and the Home in the Writings of Dorothy L. SayersSuzanne BrayPart II. Betwixt and Between7. Between Flat Surfaces and Hard Edges in Treadwell’s MachinalLynn Deboek8. ‘Woman on the Verge’: Mary Fitt, Borders and the Country House Novel of the 1930sNick Turner9. Challenging class attitudes in Noel Streatfeild’s The Circus is Coming/Circus Shoes (1938)Deborah Giggle10. Refusing the Tragic Pose: Zora Neale Hurston and the Cultural Politics of the Harlem RenaissanceOliver BelasPart III. Tales of Travel11. ‘When I was young, I travelled by mistake, but now I do it on purpose’: The Worlds of Stella BensonNicola Darwood12. ‘This isn’t the sort of place you’d get a body!’: Tourism, Fantasy and Spatial Performance in Agatha Christie’s Holiday NovelsBrittain Bright13. The Englishman on My Shoulder: The Spatial Determination of Middle-Class Femininity in Elizabeth von Arnim’s In the Mountains and The Enchanted AprilElizabeth Floyd14. A Provincial Cosmopolitanism: The Country and the City in E. M. Delafield’s The Provincial LadyShinjini Chattopadhyay15. Home Is Where the Train Station Is: Elizabeth Bowen’s The House in Paris and a Mobile DomesticityMargaret MaukPart IV. Rural and Urban16. The ‘housed wattle’ and the ‘flint cottage’: Sylvia Townsend Warner Re-Places the Chimney OrnamentClaire Pelly17. ‘I in space—': Baroness Elsa von Freytag-Loringhoven’s Poetic Relationship with New York CityCeleste van der Linde18. A Country of One’s Own: Adapting Woolfian Space and Place in Mollie Panter-Downes’s My Husband SimonMelissa Dinsman19. Spectres of War in the Modern City: Post-War London as a Site of Memory in Storm Jameson’s The Mirror in Darkness TrilogyAngela Smith20. Escaping to Barsetshire: Angela Thirkell’s Therapeutic LandscapeGeraldine Perriam21. ‘A removal […] is like a slow journey across difficult country’: Interwar Transitions in English National IdentityLauren Macpherson22. Female Agency and Power in Hilda Vaughan’s Interwar WritingPhilip MilesPart V. Psychological Spaces23. ‘Rooms again’ – Spatiality in H.D.’s Tribute to FreudElisabeth Punzi and Cornelia Wächter24. Safe Spaces: Lyric Refuge in H.D.’s Madrigal CycleKate Eliot 25. ‘Geography of Echoes:’ A Study of Topographical Montage in Leonora Carrington’s Novella Little FrancisPenny Simpson26. Liminality and Displacement in Djuna Barnes’s Nightwood and Elizabeth Bowen’s The Death of the HeartLayla Ferrández MeleroCoda: From the Parlour to Outer SpaceNick Turner and Nicola DarwoodNotes on ContributorsIndex

Nicola Darwood is a Senior Lecturer in English Literature and Director of the Research Institute for Media, Arts and Performance at the University of Bedfordshire, UK. Her research interests include early twentieth-century women writers, specifically the work of Elizabeth Bowen and Stella Benson. She has published widely on Elizabeth Bowen, Stella Benson and Nancy Spain, including her monograph A World of Lost Innocence: the fiction of Elizabeth Bowen (2012). She is the co-chair of the Elizabeth Bowen Society and co-editor of The Elizabeth Bowen Review. Nick Turner is an Associate Lecturer with the Open University and a Lecturer at Kirklees College, UK. He is the co-chair of the Elizabeth Bowen Society and co-editor of the Elizabeth Bowen Review. He has published work on Elizabeth von Arnim, Mary Fitt, Barbara Comyns and interwar and post-war women writers more widely, including his monograph Post-War British Women Novelists and the Canon (2010).

If you thought you knew about women writers in the interwar period, think again. With chapters touching on a wide range of women’s writing about spaces and places, this book brings together canonical and lesser-known authors to show what a varied, unexplored terrain the interwar years still are for feminist scholarship.

• AcknowledgementsIntroduction: Understanding and Redefining Place and Space in Interwar Women's Writing in EnglishNicola Darwood and Nick TurnerPart I. The Politics of Home1. Metaphor for a Marriage: The Construction of ‘home’ in The Return of the Soldier by Rebecca West and Vera by Elizabeth von ArnimJackie Goodman2. In the Boudoir: Spaces of Feminine Self-Fashioning in the Work of Virginia Woolf, Elizabeth von Arnim, Daphne du Maurier and D. E. StevensonJennifer Shepherd3. Heterotopic Reflections in Between the Acts: Pointz Hall, Mirrors and the PageantDemet Karabulut Dede4. Finding Room and a Place: G. B. Stern and the Politics of the Family HouseAlexis Weedon5. Reimagining Domestic Space in Leonora Carrington’s ‘becoming animal’ NarrativesKaren Eckersley6. ‘A Man’s Place is in the Home?’: Women and the Home in the Writings of Dorothy L. SayersSuzanne BrayPart II. Betwixt and Between7. Between Flat Surfaces and Hard Edges in Treadwell’s MachinalLynn Deboek8. ‘Woman on the Verge’: Mary Fitt, Borders and the Country House Novel of the 1930sNick Turner9. Challenging class attitudes in Noel Streatfeild’s The Circus is Coming/Circus Shoes (1938)Deborah Giggle10. Refusing the Tragic Pose: Zora Neale Hurston and the Cultural Politics of the Harlem RenaissanceOliver BelasPart III. Tales of Travel11. ‘When I was young, I travelled by mistake, but now I do it on purpose’: The Worlds of Stella BensonNicola Darwood12. ‘This isn’t the sort of place you’d get a body!’: Tourism, Fantasy and Spatial Performance in Agatha Christie’s Holiday NovelsBrittain Bright13. The Englishman on My Shoulder: The Spatial Determination of Middle-Class Femininity in Elizabeth von Arnim’s In the Mountains and The Enchanted AprilElizabeth Floyd14. A Provincial Cosmopolitanism: The Country and the City in E. M. Delafield’s The Provincial LadyShinjini Chattopadhyay15. Home Is Where the Train Station Is: Elizabeth Bowen’s The House in Paris and a Mobile DomesticityMargaret MaukPart IV. Rural and Urban16. The ‘housed wattle’ and the ‘flint cottage’: Sylvia Townsend Warner Re-Places the Chimney OrnamentClaire Pelly17. ‘I in space—': Baroness Elsa von Freytag-Loringhoven’s Poetic Relationship with New York CityCeleste van der Linde18. A Country of One’s Own: Adapting Woolfian Space and Place in Mollie Panter-Downes’s My Husband SimonMelissa Dinsman19. Spectres of War in the Modern City: Post-War London as a Site of Memory in Storm Jameson’s The Mirror in Darkness TrilogyAngela Smith20. Escaping to Barsetshire: Angela Thirkell’s Therapeutic LandscapeGeraldine Perriam21. ‘A removal […] is like a slow journey across difficult country’: Interwar Transitions in English National IdentityLauren Macpherson22. Female Agency and Power in Hilda Vaughan’s Interwar WritingPhilip MilesPart V. Psychological Spaces23. ‘Rooms again’ – Spatiality in H.D.’s Tribute to FreudElisabeth Punzi and Cornelia Wächter24. Safe Spaces: Lyric Refuge in H.D.’s Madrigal CycleKate Eliot 25. ‘Geography of Echoes:’ A Study of Topographical Montage in Leonora Carrington’s Novella Little FrancisPenny Simpson26. Liminality and Displacement in Djuna Barnes’s Nightwood and Elizabeth Bowen’s The Death of the HeartLayla Ferrández MeleroCoda: From the Parlour to Outer SpaceNick Turner and Nicola DarwoodNotes on ContributorsIndex