David Keenan is the author of six critically-acclaimed novels; the cult classic This is Memorial Device, which won the London Magazine Prize; For the Good Times, which won the Gordon Burn Prize and was shortlisted for the Encore Award; The Towers The Fields The Transmitters, Xstabeth, which was shortlisted for the Dublin Literary Award, Monument Maker, which was a Rough Trade Book of the Year and Industry of Magic & Light. He is also the author of England's Hidden Reverse, a history of the UK's post-punk and Industrial music scenes. He has been writing about music since he was seventeen years old, most consistently for The Wire, and between the years 2004-2014 he co-ran the cult Glasgow record shop Volcanic Tongue. His selected music writing was published in 2025 as the collection Volcanic Tongue.

I didn't think it was possible to be this impressed, challenged and entertained by a novel. Boyhood is a complete triumph. Set in locations our art now fears to go, almost every page is stuffed with amazing ideas and vibrant characters, many dripping with sexuality and ominous menace. More than this, it slaps our dull, sterile culture hard across the face with a studded, uncompromising literary glove. We have the duty and privilege of rising up to its challenge and turning those pages. The alternative is to seriously miss out

David Keenan is the author of six critically-acclaimed novels; the cult classic This is Memorial Device, which won the London Magazine Prize; For the Good Times, which won the Gordon Burn Prize and was shortlisted for the Encore Award; The Towers The Fields The Transmitters, Xstabeth, which was shortlisted for the Dublin Literary Award, Monument Maker, which was a Rough Trade Book of the Year and Industry of Magic & Light. He is also the author of England's Hidden Reverse, a history of the UK's post-punk and Industrial music scenes. He has been writing about music since he was seventeen years old, most consistently for The Wire, and between the years 2004-2014 he co-ran the cult Glasgow record shop Volcanic Tongue. His selected music writing was published in 2025 as the collection Volcanic Tongue.

I didn't think it was possible to be this impressed, challenged and entertained by a novel. Boyhood is a complete triumph. Set in locations our art now fears to go, almost every page is stuffed with amazing ideas and vibrant characters, many dripping with sexuality and ominous menace. More than this, it slaps our dull, sterile culture hard across the face with a studded, uncompromising literary glove. We have the duty and privilege of rising up to its challenge and turning those pages. The alternative is to seriously miss out