ADAM MAX COHEN is currently Assistant Professor of English at the University of Massachusetts Dartmouth, where he specializes in Shakespeare, early modern literature and early modern cultural studies.

'Cohen's book...sensitizes us to traces of a significant early modern mechanical culture in Shakespeare's plays, a culture too often and erroneously assumed to be 'rude'.' - Karen L. Edwards, Renaissance Quarterly

• Where We Lay Our Scene: The Critical Landscape and the Elizabethan-Jacobean Technology Boom Englishing the Globe: Navigational Technologies on and around Shakespeare's Stages "We Live in a Printing Age": Shakespeare and the Print Revolution Weapons of Fire and Shakespeare's Dramatic Trajectory The Clockwork Self and the Horological Revolution Shakespeare's Halls of Mirrors Conclusion: Surveying Technological Confluence