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David Ian Rabey, Patrick Lonergan - Theatre and Films of Jez Butterworth, Häftad

Häftad, Engelska, 2015

Theatre and Films of Jez Butterworth

Av David Ian Rabey, Patrick Lonergan

Del i serien Critical Companions

461 kr

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Beskrivning
Jez Butterworth is the most critically acclaimed and commercially successful new British dramatist of the 21st century: his acclaimed play Jerusalem has had extended runs in the West End and on Broadway. This book is the first to examine Butterworth's writings for stage and film and to identify how and why his work appeals so widely and profoundly. It examines the way that he weaves suspenseful stories of eccentric outsiders, whose adventures echo widespread contemporary social anxieties, and involve surprising expressions of both violence and generosity. This book reveals how Butterworth unearths the strange forms of wildness and defiance lurking in the depths and at the edges of England: where unpredictable outbursts of humour highlight the intensity of life, and characters discover links between their haunting past and the uncertainties of the present, to create a meaningful future. Supplemented by essays from James D. Balestrieri and Elisabeth Angel-Perez, this is a clear and detailed source of reference for a new generation of theatre audiences, practitioners and directors who wish to explore the work of this seminal dramatist.
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David Ian Rabey is Professor of Drama and Theatre Studies at Aberystwyth University, UK, and Artistic Director of Lurking Truth/Gwir sy’n Llechu Theatre Company. His critical publications include Howard Barker: Politics and Desire (1989, 2009), David Rudkin: Sacred Disobedience (1997), English Drama Since 1940 (2003), Howard Barker: Ecstasy and Death (2009), and the forthcoming, Theatre and Time (2016). He has co-edited two collections of essays, Theatre of Catastrophe (2006) and Howard Barker's Art of Theatre (2013). His plays include two volumes, The Wye Plays (2004) and Lovefuries (2008).

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Rabey offers a series of illuminating and thought-provoking cultural and historical contextualisations – plunging into past and contemporary understandings of ‘Englishness’ from the outset, for instance – and uses this as the basis for an analysis of the work that is vigorous and always personally engaged, but also open-ended and questioning ... this work has the conscious intent of creating a real and ongoing debate. An indispensable volume.

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