Ian McEwan is the critically acclaimed author of nineteen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; Machines Like Me; and Lessons. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

"A macabre but unforgettable tale" -- John Boyne Guardian "Darkly impressive" The Times "Marvellously creates the atmosphere of youngsters given that instant adulthood they all crave, where the ordinary takes on a mysterious glow and the extraordinary seems rather commonplace. It is difficult to fault the writing or the construction of this eerie fable" Sunday Times "An extremely assured, technically adept and compelling piece of work" Observer "A shocking book, morbid, full of repellant imagery - and irresistibly readable...The effect achieved by McEwan's quiet, precise and sensuous touch is that of magic realism - a transfiguration of the ordinary that has far stronger retinal and visceral impact than the flabby surrealism of so many experimental novels" New York Review of Books

Ian McEwan is the critically acclaimed author of nineteen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; Machines Like Me; and Lessons. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

"A macabre but unforgettable tale" -- John Boyne Guardian "Darkly impressive" The Times "Marvellously creates the atmosphere of youngsters given that instant adulthood they all crave, where the ordinary takes on a mysterious glow and the extraordinary seems rather commonplace. It is difficult to fault the writing or the construction of this eerie fable" Sunday Times "An extremely assured, technically adept and compelling piece of work" Observer "A shocking book, morbid, full of repellant imagery - and irresistibly readable...The effect achieved by McEwan's quiet, precise and sensuous touch is that of magic realism - a transfiguration of the ordinary that has far stronger retinal and visceral impact than the flabby surrealism of so many experimental novels" New York Review of Books

Ian McEwan is the critically acclaimed author of nineteen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; Machines Like Me; and Lessons. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

"A macabre but unforgettable tale" -- John Boyne Guardian "Darkly impressive" The Times "Marvellously creates the atmosphere of youngsters given that instant adulthood they all crave, where the ordinary takes on a mysterious glow and the extraordinary seems rather commonplace. It is difficult to fault the writing or the construction of this eerie fable" Sunday Times "An extremely assured, technically adept and compelling piece of work" Observer "A shocking book, morbid, full of repellant imagery - and irresistibly readable...The effect achieved by McEwan's quiet, precise and sensuous touch is that of magic realism - a transfiguration of the ordinary that has far stronger retinal and visceral impact than the flabby surrealism of so many experimental novels" New York Review of Books