Francisco Collado-Rodriguez is Professor of English at the University of Zaragoza, Spain. He is a former President of the Spanish Association for American Studies and his previous publications include (as co-editor) Masculinities, Femininities and the Power of the Hybrid in US Narratives.

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• Series Editor's Introduction, Sarah GrahamAcknowledgementsIntroduction: Chuck Palahniuk and the posthuman being, Francisco Collado-RodríguezPart I: Fight Club1. Violence, Spaces, and a Fragmenting Consciousness in Fight Club, James R. Giles2. The Avatars of Masculinity: How Not to Be a Man, Eduardo Mendieta3. Body Contact : Acting Out is the Best Defense in Fight Club, Laurie VickroyPart II: Invisible MonstersIntroduction4. Invisible Monsters and Palahniuk's Perverse Sublime, Andrew Slade5. The opposite of a miracle: Trauma in Invisible Monsters, Richard Viskovic and Eluned Summers-Bremner 6. From Solid to Liquid: Invisible Monsters and the Blank Fiction Road Story, Sonia Baelo-AlluéPart III: ChokeIntroduction7. Chuck Palahniuk's Edible Complex, Jesse Kavadlo8. Anger, Anguish, and Art: Choke, David Cowart9. Addiction in Choke, Nieves PascualWorks CitedFurther ReadingNotes on ContributorsIndex

Francisco Collado-Rodriguez is Professor of English at the University of Zaragoza, Spain. He is a former President of the Spanish Association for American Studies and his previous publications include (as co-editor) Masculinities, Femininities and the Power of the Hybrid in US Narratives.

Select Guide Rating

• Series Editor's Introduction, Sarah GrahamAcknowledgementsIntroduction: Chuck Palahniuk and the posthuman being, Francisco Collado-RodríguezPart I: Fight Club1. Violence, Spaces, and a Fragmenting Consciousness in Fight Club, James R. Giles2. The Avatars of Masculinity: How Not to Be a Man, Eduardo Mendieta3. Body Contact : Acting Out is the Best Defense in Fight Club, Laurie VickroyPart II: Invisible MonstersIntroduction4. Invisible Monsters and Palahniuk's Perverse Sublime, Andrew Slade5. The opposite of a miracle: Trauma in Invisible Monsters, Richard Viskovic and Eluned Summers-Bremner 6. From Solid to Liquid: Invisible Monsters and the Blank Fiction Road Story, Sonia Baelo-AlluéPart III: ChokeIntroduction7. Chuck Palahniuk's Edible Complex, Jesse Kavadlo8. Anger, Anguish, and Art: Choke, David Cowart9. Addiction in Choke, Nieves PascualWorks CitedFurther ReadingNotes on ContributorsIndex

Francisco Collado-Rodriguez is Professor of English at the University of Zaragoza, Spain. He is a former President of the Spanish Association for American Studies and his previous publications include (as co-editor) Masculinities, Femininities and the Power of the Hybrid in US Narratives.

Select Guide Rating

• Series Editor's Introduction, Sarah GrahamAcknowledgementsIntroduction: Chuck Palahniuk and the posthuman being, Francisco Collado-RodríguezPart I: Fight Club1. Violence, Spaces, and a Fragmenting Consciousness in Fight Club, James R. Giles2. The Avatars of Masculinity: How Not to Be a Man, Eduardo Mendieta3. Body Contact : Acting Out is the Best Defense in Fight Club, Laurie VickroyPart II: Invisible MonstersIntroduction4. Invisible Monsters and Palahniuk's Perverse Sublime, Andrew Slade5. The opposite of a miracle: Trauma in Invisible Monsters, Richard Viskovic and Eluned Summers-Bremner 6. From Solid to Liquid: Invisible Monsters and the Blank Fiction Road Story, Sonia Baelo-AlluéPart III: ChokeIntroduction7. Chuck Palahniuk's Edible Complex, Jesse Kavadlo8. Anger, Anguish, and Art: Choke, David Cowart9. Addiction in Choke, Nieves PascualWorks CitedFurther ReadingNotes on ContributorsIndex