Jonathan Davis-Secord is an assistant professor in the Department of English Language and Literature at the University of New Mexico.

‘This book offers new ways of thinking about how compounds are used and it will inform future study. It is a welcome addition to the field.’- Paul Cavill (The Review of English Studies October 2016) ‘Jonathan Davis-Secord has woven a rich tapestry from such seemingly uninspiring threads as compounds, and his richly textured book is sure to please a range of scholars from a variety of perspectives.’- Don Chapman (Anglia vol 135:2017) ‘An original, stimulating, and impressively erudite exploration of the role of compounds in Old English literary culture… This learned and engaging book opens up several new approaches to the study of a key feature of Old English verbal art and deserves to find a wide readership.’- Richard Dance (Speculum, vol 92:04:2017) ‘In this book Davis-Secord brings to bear new and promising modes of analysis in a wide-ranging and provocative discussion.’- Greg Waite (Parergon vol 34:02:2017) "This thoroughly researched book opens up a wide variety of new approaches to familiar texts and will likely prove an essential resource for scholars of Old English literature, rhetoric, and culture."- Courtney Catherine Barajas, The University of Texax at Austin (University of Toronto Quarterly, vol 87 3, Summer 2018)

• 1. Introduction: Connecting Grammar, Style, and Culture2. Compounds as Translation Tools3. Compound Interest4. Compound Discourses in the Old English Boethius and Juliana5. Controlling Pace in Prose: Wulfstan’s Old English Homilies6. Controlling Pace in Poetry: Beowulf7. Conclusion: Ubi Est Ælfric?

Jonathan Davis-Secord is an assistant professor in the Department of English Language and Literature at the University of New Mexico.

‘This book offers new ways of thinking about how compounds are used and it will inform future study. It is a welcome addition to the field.’- Paul Cavill (The Review of English Studies October 2016) ‘Jonathan Davis-Secord has woven a rich tapestry from such seemingly uninspiring threads as compounds, and his richly textured book is sure to please a range of scholars from a variety of perspectives.’- Don Chapman (Anglia vol 135:2017) ‘An original, stimulating, and impressively erudite exploration of the role of compounds in Old English literary culture… This learned and engaging book opens up several new approaches to the study of a key feature of Old English verbal art and deserves to find a wide readership.’- Richard Dance (Speculum, vol 92:04:2017) ‘In this book Davis-Secord brings to bear new and promising modes of analysis in a wide-ranging and provocative discussion.’- Greg Waite (Parergon vol 34:02:2017) "This thoroughly researched book opens up a wide variety of new approaches to familiar texts and will likely prove an essential resource for scholars of Old English literature, rhetoric, and culture."- Courtney Catherine Barajas, The University of Texax at Austin (University of Toronto Quarterly, vol 87 3, Summer 2018)

• 1. Introduction: Connecting Grammar, Style, and Culture2. Compounds as Translation Tools3. Compound Interest4. Compound Discourses in the Old English Boethius and Juliana5. Controlling Pace in Prose: Wulfstan’s Old English Homilies6. Controlling Pace in Poetry: Beowulf7. Conclusion: Ubi Est Ælfric?

Jonathan Davis-Secord is an assistant professor in the Department of English Language and Literature at the University of New Mexico.

‘This book offers new ways of thinking about how compounds are used and it will inform future study. It is a welcome addition to the field.’- Paul Cavill (The Review of English Studies October 2016) ‘Jonathan Davis-Secord has woven a rich tapestry from such seemingly uninspiring threads as compounds, and his richly textured book is sure to please a range of scholars from a variety of perspectives.’- Don Chapman (Anglia vol 135:2017) ‘An original, stimulating, and impressively erudite exploration of the role of compounds in Old English literary culture… This learned and engaging book opens up several new approaches to the study of a key feature of Old English verbal art and deserves to find a wide readership.’- Richard Dance (Speculum, vol 92:04:2017) ‘In this book Davis-Secord brings to bear new and promising modes of analysis in a wide-ranging and provocative discussion.’- Greg Waite (Parergon vol 34:02:2017) "This thoroughly researched book opens up a wide variety of new approaches to familiar texts and will likely prove an essential resource for scholars of Old English literature, rhetoric, and culture."- Courtney Catherine Barajas, The University of Texax at Austin (University of Toronto Quarterly, vol 87 3, Summer 2018)

• 1. Introduction: Connecting Grammar, Style, and Culture2. Compounds as Translation Tools3. Compound Interest4. Compound Discourses in the Old English Boethius and Juliana5. Controlling Pace in Prose: Wulfstan’s Old English Homilies6. Controlling Pace in Poetry: Beowulf7. Conclusion: Ubi Est Ælfric?