Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.

‘Performing Autobiography is a  fascinating and important contribution to theatre and drama studies…Jenn Stephenson delivers incredibly in-depth analyses and discussions with a lucidity which is only rarely found.’- Michael Heinze (Journal of Contemporary Drama in English vol 2:2:2014)

• Acknowledgements Introduction Narrative Failure and the Loss of an Autobiographical Self: Perfect Pie and The Drawer BoyPerformative Witnessing to Autobiographies of Trauma: GoodnessSetting Free Silenced Autobiographical Voices: Eternal Hydra and ShadowsThe Autobiographical Body as a Site of Utopian Performativity: Billy TwinkleSelf-Authoring Characters in Recursive Autothanatography: In On ItNotesBibliographyIndex

Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.

‘Performing Autobiography is a  fascinating and important contribution to theatre and drama studies…Jenn Stephenson delivers incredibly in-depth analyses and discussions with a lucidity which is only rarely found.’- Michael Heinze (Journal of Contemporary Drama in English vol 2:2:2014)

• Acknowledgements Introduction Narrative Failure and the Loss of an Autobiographical Self: Perfect Pie and The Drawer BoyPerformative Witnessing to Autobiographies of Trauma: GoodnessSetting Free Silenced Autobiographical Voices: Eternal Hydra and ShadowsThe Autobiographical Body as a Site of Utopian Performativity: Billy TwinkleSelf-Authoring Characters in Recursive Autothanatography: In On ItNotesBibliographyIndex

Jenn Stephenson is Professor in the Dan School of Drama and Music at Queen’s University. Her book Performing Autobiography: Contemporary Canadian Drama is also published by University of Toronto Press.

‘Performing Autobiography is a  fascinating and important contribution to theatre and drama studies…Jenn Stephenson delivers incredibly in-depth analyses and discussions with a lucidity which is only rarely found.’- Michael Heinze (Journal of Contemporary Drama in English vol 2:2:2014)

• Acknowledgements Introduction Narrative Failure and the Loss of an Autobiographical Self: Perfect Pie and The Drawer BoyPerformative Witnessing to Autobiographies of Trauma: GoodnessSetting Free Silenced Autobiographical Voices: Eternal Hydra and ShadowsThe Autobiographical Body as a Site of Utopian Performativity: Billy TwinkleSelf-Authoring Characters in Recursive Autothanatography: In On ItNotesBibliographyIndex