This translation first published in 1842. According to Wikipedia: "Novalis was the pseudonym of Georg Philipp Friedrich Freiherr von Hardenberg (May 2, 1772 – March 25, 1801), a poet, an author and philosopher of early German Romanticism... The novel fragments Heinrich von Ofterdingen and Die Lehrlinge zu Sais (The Novices of Sais) reflect the idea of describing a universal world harmony with the help of poetry. The novel ''Heinrich von Ofterdingen'' contains the "blue flower", a symbol that became an emblem for the whole of German Romanticism. Originally the novel was supposed to be an answer to Goethe’s Wilhelm Meister, a work that Novalis had read with enthusiasm but later on judged as being highly unpoetical. He disliked the victory of the economical over the poetic."

This translation first published in 1842. According to Wikipedia: "Novalis was the pseudonym of Georg Philipp Friedrich Freiherr von Hardenberg (May 2, 1772 – March 25, 1801), a poet, an author and philosopher of early German Romanticism... The novel fragments Heinrich von Ofterdingen and Die Lehrlinge zu Sais (The Novices of Sais) reflect the idea of describing a universal world harmony with the help of poetry. The novel ''Heinrich von Ofterdingen'' contains the "blue flower", a symbol that became an emblem for the whole of German Romanticism. Originally the novel was supposed to be an answer to Goethe’s Wilhelm Meister, a work that Novalis had read with enthusiasm but later on judged as being highly unpoetical. He disliked the victory of the economical over the poetic."

This translation first published in 1842. According to Wikipedia: "Novalis was the pseudonym of Georg Philipp Friedrich Freiherr von Hardenberg (May 2, 1772 – March 25, 1801), a poet, an author and philosopher of early German Romanticism... The novel fragments Heinrich von Ofterdingen and Die Lehrlinge zu Sais (The Novices of Sais) reflect the idea of describing a universal world harmony with the help of poetry. The novel ''Heinrich von Ofterdingen'' contains the "blue flower", a symbol that became an emblem for the whole of German Romanticism. Originally the novel was supposed to be an answer to Goethe’s Wilhelm Meister, a work that Novalis had read with enthusiasm but later on judged as being highly unpoetical. He disliked the victory of the economical over the poetic."