Priscila Uppal is an internationally acclaimed poet, fiction writer, and York University professor. She is the author of The Divine Economy of Salvation and To Whom It May Concern. Her memoir, Projection: Encounters with My Runaway Mother, was shortlisted for the Hilary Weston Prize and the Governor General’s Award. Priscila lives in Toronto. For more information visit priscilauppal.ca.

Toronto poet, playwright, and fiction writer Priscila Uppal has the kind of wild imagination that constantly makes me think she might lose control in her stories, but she doesn’t. Instead, these 13 pieces . . . tread a marvellous line between the strange and the familiar. As a collection, Cover Before Striking effectively demonstrates Uppal’s remarkable talents.

Priscila Uppal is an internationally acclaimed poet, fiction writer, and York University professor. She is the author of The Divine Economy of Salvation and To Whom It May Concern. Her memoir, Projection: Encounters with My Runaway Mother, was shortlisted for the Hilary Weston Prize and the Governor General’s Award. Priscila lives in Toronto. For more information visit priscilauppal.ca.

Toronto poet, playwright, and fiction writer Priscila Uppal has the kind of wild imagination that constantly makes me think she might lose control in her stories, but she doesn’t. Instead, these 13 pieces . . . tread a marvellous line between the strange and the familiar. As a collection, Cover Before Striking effectively demonstrates Uppal’s remarkable talents.

Priscila Uppal is an internationally acclaimed poet, fiction writer, and York University professor. She is the author of The Divine Economy of Salvation and To Whom It May Concern. Her memoir, Projection: Encounters with My Runaway Mother, was shortlisted for the Hilary Weston Prize and the Governor General’s Award. Priscila lives in Toronto. For more information visit priscilauppal.ca.

Toronto poet, playwright, and fiction writer Priscila Uppal has the kind of wild imagination that constantly makes me think she might lose control in her stories, but she doesn’t. Instead, these 13 pieces . . . tread a marvellous line between the strange and the familiar. As a collection, Cover Before Striking effectively demonstrates Uppal’s remarkable talents.