This volume deals with One Thousand and One Nights in yet another and novel way as it brings old and new together by exploring parallels and possible origins of its tales, as well as the wealth of modern and contemporary material that it has originated and continues to inspire. The papers included in this volume address the theory and practice of the adaptation and appropriation of One Thousand and One Nights into any type of literary text and media, while approaching a definition of our contemporary knowledge and understanding of the Nights. Through this, it will be possible to underline the dynamic nature and autonomous life that the tale collection acquired and how it originated works like Jorge Luis Borges’s essays, Naguib Mahfouz’s works, Miguel Gomes’s trilogy, a Turkish soap opera that became popular around the world and made it to Netflix, or Nikolai Rimsky-Korsakov’s well-known symphonic suite.

This volume deals with One Thousand and One Nights in yet another and novel way as it brings old and new together by exploring parallels and possible origins of its tales, as well as the wealth of modern and contemporary material that it has originated and continues to inspire. The papers included in this volume address the theory and practice of the adaptation and appropriation of One Thousand and One Nights into any type of literary text and media, while approaching a definition of our contemporary knowledge and understanding of the Nights. Through this, it will be possible to underline the dynamic nature and autonomous life that the tale collection acquired and how it originated works like Jorge Luis Borges’s essays, Naguib Mahfouz’s works, Miguel Gomes’s trilogy, a Turkish soap opera that became popular around the world and made it to Netflix, or Nikolai Rimsky-Korsakov’s well-known symphonic suite.

This volume deals with One Thousand and One Nights in yet another and novel way as it brings old and new together by exploring parallels and possible origins of its tales, as well as the wealth of modern and contemporary material that it has originated and continues to inspire. The papers included in this volume address the theory and practice of the adaptation and appropriation of One Thousand and One Nights into any type of literary text and media, while approaching a definition of our contemporary knowledge and understanding of the Nights. Through this, it will be possible to underline the dynamic nature and autonomous life that the tale collection acquired and how it originated works like Jorge Luis Borges’s essays, Naguib Mahfouz’s works, Miguel Gomes’s trilogy, a Turkish soap opera that became popular around the world and made it to Netflix, or Nikolai Rimsky-Korsakov’s well-known symphonic suite.