Lyndall Clipstone writes about monsters and the girls who like to kiss them. A former youth librarian who grew up running wild in the Barossa Ranges of South Australia, she currently lives in Adelaide, Australia, where she tends her own indoor secret garden. She is the author of Lakesedge, Forestfall and Unholy Terrors.

Clipstone creates a world that is cloaked in sea-fog; an atmospheric gothic romance, with elements of folk horror and dark academia, where betrayals are revealed and secrets unravelled. Lark's first person narrative gives an intimacy and intensity to the story. A haunting, lyrical romantasy, with bisexual and polyamorous representation.

Lyndall Clipstone writes about monsters and the girls who like to kiss them. A former youth librarian who grew up running wild in the Barossa Ranges of South Australia, she currently lives in Adelaide, Australia, where she tends her own indoor secret garden. She is the author of Lakesedge, Forestfall and Unholy Terrors.

Clipstone creates a world that is cloaked in sea-fog; an atmospheric gothic romance, with elements of folk horror and dark academia, where betrayals are revealed and secrets unravelled. Lark's first person narrative gives an intimacy and intensity to the story. A haunting, lyrical romantasy, with bisexual and polyamorous representation.

Lyndall Clipstone writes about monsters and the girls who like to kiss them. A former youth librarian who grew up running wild in the Barossa Ranges of South Australia, she currently lives in Adelaide, Australia, where she tends her own indoor secret garden. She is the author of Lakesedge, Forestfall and Unholy Terrors.

Clipstone creates a world that is cloaked in sea-fog; an atmospheric gothic romance, with elements of folk horror and dark academia, where betrayals are revealed and secrets unravelled. Lark's first person narrative gives an intimacy and intensity to the story. A haunting, lyrical romantasy, with bisexual and polyamorous representation.