Heather Christle is the author of The Crying Book (Corsair), a New York Times Editor's Choice, Indie Next selection, and national bestseller that was translated into eight languages, awarded the Georgia Book Award for memoir, and adapted for radio by the BBC. An Assistant Professor of English and Creative Writing at Emory University, Christle is also the author of four poetry collections including The Trees The Trees, which won the Believer Book Award and was adapted into a ballet by the Pacific Northwest Ballet. Her writing has been published in The Believer, Elle, Granta, London Review of Books, and The New Yorker, and she was recently the recipient of a George A. and Eliza Gardner Howard Foundation Fellowship in nonfiction.

Christle's exacting rigor and ferocious curiosity are matched only by the utter eccentricity of her vision, the delicious and frankly peerless freshness of her idiom: "There is a difference between bones and a book," she writes, "but both have at their center a spine." What results is irreducibly human. IN THE RHODODENDRONS is vital consolation, amidst the amidst. It's a triumph, an instant classic. Christle has become one of our art's most urgent living practitioners

Heather Christle is the author of The Crying Book (Corsair), a New York Times Editor's Choice, Indie Next selection, and national bestseller that was translated into eight languages, awarded the Georgia Book Award for memoir, and adapted for radio by the BBC. An Assistant Professor of English and Creative Writing at Emory University, Christle is also the author of four poetry collections including The Trees The Trees, which won the Believer Book Award and was adapted into a ballet by the Pacific Northwest Ballet. Her writing has been published in The Believer, Elle, Granta, London Review of Books, and The New Yorker, and she was recently the recipient of a George A. and Eliza Gardner Howard Foundation Fellowship in nonfiction.

Christle's exacting rigor and ferocious curiosity are matched only by the utter eccentricity of her vision, the delicious and frankly peerless freshness of her idiom: "There is a difference between bones and a book," she writes, "but both have at their center a spine." What results is irreducibly human. IN THE RHODODENDRONS is vital consolation, amidst the amidst. It's a triumph, an instant classic. Christle has become one of our art's most urgent living practitioners

Heather Christle is the author of The Crying Book (Corsair), a New York Times Editor's Choice, Indie Next selection, and national bestseller that was translated into eight languages, awarded the Georgia Book Award for memoir, and adapted for radio by the BBC. An Assistant Professor of English and Creative Writing at Emory University, Christle is also the author of four poetry collections including The Trees The Trees, which won the Believer Book Award and was adapted into a ballet by the Pacific Northwest Ballet. Her writing has been published in The Believer, Elle, Granta, London Review of Books, and The New Yorker, and she was recently the recipient of a George A. and Eliza Gardner Howard Foundation Fellowship in nonfiction.

Christle's exacting rigor and ferocious curiosity are matched only by the utter eccentricity of her vision, the delicious and frankly peerless freshness of her idiom: "There is a difference between bones and a book," she writes, "but both have at their center a spine." What results is irreducibly human. IN THE RHODODENDRONS is vital consolation, amidst the amidst. It's a triumph, an instant classic. Christle has become one of our art's most urgent living practitioners