"With Fates and Furies Lauren Groff goes many levels below the surface of a marriage, into a place that is perhaps as hard to reach as it is to describe, but Groff, a bold and marvellous writer, is able to do both. Because she's so vitally talented line for line and passage for passage, and because her ideas about the ways in which two people can live together and live inside each other, or fall away from each other, or betray each other, feel foundationally sound and true, Fates and Furies becomes a book to submit to, and be knocked out by, as I certainly was." -- Meg Wolitzer, bestselling author of THE INTERESTINGS "Fates and Furies is devastatingly good, with the most satisfying ending I've read in a long time. The writing is gorgeous, the plot twisting, and the characters are almost too real - the only thing that keeps it from being the Platonic ideal of a novel is that it can only be read for the first time once. The only response that seemed sufficient in the hours after finishing it was to send several dozen roses, a cake, and my heart to Lauren Groff." -- Sara Taylor, author of The Shore "Fates and Furies is a dazzling novel, its people and its prose wondrously alive from page one. At once intimate and sweeping, this is the story of a marriage as parallel myths-- flaring with passion and betrayal, with redemption and retribution, with the sort of heart-breaking, head-slapping secrets that make you want to seek out someone else who's read it. Lauren Groff is a powerful and graceful writer, one of the best of her generation." -- Jess Walter, bestselling author of BEAUTIFUL RUINS "In a swirling miasma of language, plot, and Greek mythology, Groff weaves a fierce and gripping tale of true love gone asunder...Groff's prose is variously dewy, defiant, salacious, and bleak - a hurricane of words thrown together on every page. Yet so much of the power in this book lies in what's unspoken...It's an intoxicating elixir." Publishers Weekly (starred review) "An absorbing story of a modern marriage framed in Greek mythology. Groff's sharply drawn portrait of a marriage begins on a cold Maine beach, with newlyweds "on their knees, now, though the sand was rough and hurt. It didn't matter. They were reduced to mouths and hands." This opener ushers in an ambitious, knowing novel besotted with sex - in a kaleidoscope of variety - much more abundant than the commune-dwellers got up to in Groff's luminous Arcadia (2012). The story centers first on Lancelot "Lotto" Satterwhite, a dashing actor at Vassar, who marries his classmate, flounders, then becomes a famous playwright. Lotto's name evokes the lottery - and the Fates, as his half of the book is titled. His wife, the imperial and striking Mathilde, takes over the second section, Furies, astir with grief and revenge. The plotting is exquisite, and the sentences hum; Groff writes with a pleasurable, bantering vividness ... An intricate plot, perfect title, and a harrowing look at the tie that binds." Kirkus (starred review)
