FROM THE AWARD-WINNING, INTERNATIONALLY BESTSELLING AUTHOR OF THE OTHER HAND

The Instant New York Times bestseller

''An addictive, propulsive read''
Sunday Times

''A tremendous, sweeping love story''
Mail on Sunday

In a powerful combination of both humour and heartbreak, this dazzling novel weaves little-known history, and a perfect love story, through the vast sweep of the Second World War - daring us to understand that, against the great theatre of world events, it is the intimate losses, the small battles, the daily human triumphs, that change us most.

''Ian McEwan did this with Atonement, Sarah Waters did it with The Night Watch, and Chris Cleave does it too with Everyone Brave is Forgiven . . . compelling and finely crafted''
Financial Times

FROM THE AWARD-WINNING, INTERNATIONALLY BESTSELLING AUTHOR OF THE OTHER HAND

The Instant New York Times bestseller

''An addictive, propulsive read''
Sunday Times

''A tremendous, sweeping love story''
Mail on Sunday

In a powerful combination of both humour and heartbreak, this dazzling novel weaves little-known history, and a perfect love story, through the vast sweep of the Second World War - daring us to understand that, against the great theatre of world events, it is the intimate losses, the small battles, the daily human triumphs, that change us most.

''Ian McEwan did this with Atonement, Sarah Waters did it with The Night Watch, and Chris Cleave does it too with Everyone Brave is Forgiven . . . compelling and finely crafted''
Financial Times

FROM THE AWARD-WINNING, INTERNATIONALLY BESTSELLING AUTHOR OF THE OTHER HAND

The Instant New York Times bestseller

''An addictive, propulsive read''
Sunday Times

''A tremendous, sweeping love story''
Mail on Sunday

In a powerful combination of both humour and heartbreak, this dazzling novel weaves little-known history, and a perfect love story, through the vast sweep of the Second World War - daring us to understand that, against the great theatre of world events, it is the intimate losses, the small battles, the daily human triumphs, that change us most.

''Ian McEwan did this with Atonement, Sarah Waters did it with The Night Watch, and Chris Cleave does it too with Everyone Brave is Forgiven . . . compelling and finely crafted''
Financial Times