Vinay Patel, one of HighTide's writers on attachment 2014, studied for an MA in Writing for Stage & Broadcast at the Royal Central School of Speech and Drama, graduating with distinction in 2011. Since then he has won competitions run by IdeasTap, the BBC, the National Youth Theatre and Shine Drama. He has had work performed at the Bush Theatre, Theatre503, RichMix and the HighTide Festival amongst others. His play, Bump, ran at the Brockley Jack Studio in May 2013 as one of the winners of Write Now 4, while True Brits premiered at the 2014 Edinburgh Festival Fringe.

Patel’s play delicately unpicks the knotty issue of British identity as well as touching on issues of racism. It’s funny and done with an elegantly light touch

Vinay Patel, one of HighTide's writers on attachment 2014, studied for an MA in Writing for Stage & Broadcast at the Royal Central School of Speech and Drama, graduating with distinction in 2011. Since then he has won competitions run by IdeasTap, the BBC, the National Youth Theatre and Shine Drama. He has had work performed at the Bush Theatre, Theatre503, RichMix and the HighTide Festival amongst others. His play, Bump, ran at the Brockley Jack Studio in May 2013 as one of the winners of Write Now 4, while True Brits premiered at the 2014 Edinburgh Festival Fringe.

Patel’s play delicately unpicks the knotty issue of British identity as well as touching on issues of racism. It’s funny and done with an elegantly light touch

Vinay Patel, one of HighTide's writers on attachment 2014, studied for an MA in Writing for Stage & Broadcast at the Royal Central School of Speech and Drama, graduating with distinction in 2011. Since then he has won competitions run by IdeasTap, the BBC, the National Youth Theatre and Shine Drama. He has had work performed at the Bush Theatre, Theatre503, RichMix and the HighTide Festival amongst others. His play, Bump, ran at the Brockley Jack Studio in May 2013 as one of the winners of Write Now 4, while True Brits premiered at the 2014 Edinburgh Festival Fringe.

Patel’s play delicately unpicks the knotty issue of British identity as well as touching on issues of racism. It’s funny and done with an elegantly light touch