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    1. Kultur
    2. Scenkonst och film
    3. Film

    Film and Domestic Space

    Architectures, Representations, Dispositif

    AvStefano Baschiera,Miriam De Rosa

    Häftad, Engelska, 2022

    633 kr

    Beställningsvara. Skickas inom 3-6 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Film and Domestic Space: Architectures, Representations, DispositifEdited by Stefano Baschiera and Miriam De RosaAlthough film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines and with case studies of directors such as Chantal Akerman, Agnes Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Beka and Louise Lemoine this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities, and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images.

    Produktinformation

    • Utgivningsdatum:2022-03-03
    • Mått:156 x 234 x 23 mm
    • Vikt:414 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:256
    • Förlag:Edinburgh University Press
    • ISBN:9781474428934

    Utforska kategorier

    • Film inom Kultur

    Mer om författaren

    Stefano Baschiera is Professor of Film Studies at Queen’s University Belfast. He is the co-editor of Italian Horror Cinema (2016, EUP), Film and Domestic Space (2020, EUP) and World Cinema on Demand (2022, Bloomsbury). Miriam De Rosa is Research Fellow at the Centre for Postdigital Cultures, Coventry University. She researches and publishes on film theories, experimental cinema, artists’ moving images and screen media arts. She is the author of Cinema e Postmedia (2013), the editor of Post-what? Post-when? Thinking moving images beyond the postcinema condition (with Vinzenz Hediger, 2016) and of the forthcoming Gesture (2019). De Rosa also works as an independent film and exhibition curator.

    Recensioner i media

    Film and Domestic Space is a very well-curated and thought-provoking collection which brings together varied conceptual and methodological approaches to domestic space. It is a welcome addition to scholarship on space and place in cinema and an extremely useful resource for both research and teaching.

    Innehållsförteckning

    • Introduction by Stefano Baschiera and Miriam De RosaChapter One: Architectures of Ubiquity: The Colonial Revival in Film and Television, by John David RhodesChapter Two: No Down Payment: Whiteness, Japanese American Masculinity, and Architectural Space in the Cinematic Suburbs, by Merrill SchleierChapter Three: Resist, Redefine, Appropriate: Negotiating the Domestic Space in Contemporary Female Biopics, by Victoria Pastor GonzálezChapter Four: Liminal Spaces, Lesbian Desire and Veering off Course in Todd Haynes’ Carol, by Anna Backman RogersChapter Five: A Home on the Road in Claire Denis’ Vendredi Soir, by Maud CeuterickChapter Six: Acoustic Ectoplasm and the Loss of Home, by Beth CarrollChapter Seven: Our House Now: Flat and Reversible Home Spaces in Post-War Film and Television, by Adrian MartinChapter Eight: From Myth to Reality: Images of Domestic Space in Post-Soviet Baltic Films, by Lukas Brašiškis and Nerijus MileriusChapter Nine: No | Home | Movie: Essay Film, Architecture as Framing and the Non-House, by Laura RascaroliChapter Ten: At Home with the Nouvelle Vague: Apartment Plots and Domestic Urbanism in Godard’s Une femme est une femme and Varda’s Cléo de 5 à 7, by Stefano BaschieraChapter Eleven: Dwelling the Open: Amos Gitai and the Home of Cinema, by Miriam De RosaChapter Twelve: What Is Cult When It’s At Home?: Reframing Cult Cinema in Relation to Domestic Space, by Iain Robert SmithChapter Thirteen: High Fructose Cinema and The Movie Industrial Complex: Radicalizing The Technology of Representation in a Domestic Kind of Way, by Bryan Konefsky