Thomas P. Anderson is Professor of English at Mississippi State University. He is the author of Performing Early Modern Trauma from Shakespeare to Milton (2006) and the editor, with Ryan Netzley, of Acts of Reading: Interpretation, Reading Practices, and the Idea of the Book in John Foxe’s Actes and Monuments (2010).

Shakespeare’s Fugitive Politics makes a significant intervention by assembling a new critical vocabulary for talking about Shakespeare’s political imagination.

• 1. The Embodied Will In Julius Caesar: An Introduction to Shakespeare’s Fugitive Politics; 2. Friendship, Sovereignty and Political Discord In Coriolanus; 3. Touching Sovereignty in Henry V; 4. Sovereignty’s Scribbled Form in King John; 5. Body Politics and the Non-Sovereign Exception in Titus Andronicus and The Winter’s Tale; Epilogue; Bibliography.

Thomas P. Anderson is Professor of English at Mississippi State University. He is the author of Performing Early Modern Trauma from Shakespeare to Milton (2006) and the editor, with Ryan Netzley, of Acts of Reading: Interpretation, Reading Practices, and the Idea of the Book in John Foxe’s Actes and Monuments (2010).

Shakespeare’s Fugitive Politics makes a significant intervention by assembling a new critical vocabulary for talking about Shakespeare’s political imagination.

• 1. The Embodied Will In Julius Caesar: An Introduction to Shakespeare’s Fugitive Politics; 2. Friendship, Sovereignty and Political Discord In Coriolanus; 3. Touching Sovereignty in Henry V; 4. Sovereignty’s Scribbled Form in King John; 5. Body Politics and the Non-Sovereign Exception in Titus Andronicus and The Winter’s Tale; Epilogue; Bibliography.

Thomas P. Anderson is Professor of English at Mississippi State University. He is the author of Performing Early Modern Trauma from Shakespeare to Milton (2006) and the editor, with Ryan Netzley, of Acts of Reading: Interpretation, Reading Practices, and the Idea of the Book in John Foxe’s Actes and Monuments (2010).

Shakespeare’s Fugitive Politics makes a significant intervention by assembling a new critical vocabulary for talking about Shakespeare’s political imagination.

• 1. The Embodied Will In Julius Caesar: An Introduction to Shakespeare’s Fugitive Politics; 2. Friendship, Sovereignty and Political Discord In Coriolanus; 3. Touching Sovereignty in Henry V; 4. Sovereignty’s Scribbled Form in King John; 5. Body Politics and the Non-Sovereign Exception in Titus Andronicus and The Winter’s Tale; Epilogue; Bibliography.