Charting a new course between performance studies and literary criticism, this book explores how recognition of the dramatic person is involved in theatrical materiality.
George Oppitz-Trotman is a Research Associate in the Faculty of English and the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at the University of Cambridge.
Innehållsförteckning
AcknowledgementsAbbreviationsIllustrationsIntroduction1. Verge2. Points3. A Brief Interlude of Vice4. Servants5. FiguresBare Facts, Endless TragediesBibliography