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Claire Davison, Derek Ryan, Jane A. Goldman - Cross-Channel Modernisms, Häftad

Häftad, Engelska, 2022

Cross-Channel Modernisms

Av Claire Davison, Derek Ryan, Jane A. Goldman

702 kr

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Beskrivning
Described by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and an intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel.
Produktinformation
  • Utgivningsdatum: 2022-03-03
  • Mått: 156 x 234 x 14 mm
  • Vikt: 376 g
  • Format: Häftad
  • Språk: Engelska
  • Antal sidor: 264
  • Förlag: Edinburgh University Press
  • ISBN: 9781474441889
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Mer om författaren

Claire Davison is Professor of Modernist Studies at the Université Sorbonne Nouvelle, Paris. Derek Ryan is Senior Lecturer in Modernist Literature at the University of Kent and author of Bloomsbury, Beasts and British Modernist Literature (2022), Animal Theory: A Critical Introduction (2015) and Virginia Woolf and the Materiality of Theory: Sex, Animal, Life (2013). He is editor of The Cambridge Companion to Literature and Animals (2023) and co-editor of several volumes including Cross-Channel Modernisms (2020), Reading Literary Animals (2019) and The Handbook to the Bloomsbury Group (2018). He is Literature Subject Editor for the Routledge Encyclopedia of Modernism and co-editor of the forthcoming Cambridge Edition of Virginia Woolf's Flush: A Biography. Jane Goldman is Reader in English Literature at the University of Glasgow. She is General Editor of the Cambridge Edition of the Writings of Virginia Woolf, and author of The Feminist Aesthetics of Virginia Woolf (1998); The Cambridge Introduction to Virginia Woolf (2006); With you in the Hebrides: Virginia Woolf and Scotland (2013); Modernism, 1910-1945: Image to Apocalypse (2004); and co-editor of Modernism: An Anthology of Sources and Documents (1998).

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This is an extraordinary group of essays, large in scope and yet detailed in each instance.

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