As an engineer and management consultant, Joan Horvath has coordinated first-of-a-kind interdisciplinary technical and business projects, helping people with no common vocabulary (startups, universities, small towns, etc). work together. Her experience as a systems engineer has spanned software development, spacecraft flight operations, risk management, and spacecraft/ground system test and contingency planning. As an educator, Joan’s passion is bringing science and technology to the non-specialist in a comprehensible and entertaining way that will stay with the learner for a lifetime.Rich Cameron is a cofounder of Pasadena-based Nonscriptum LLC. Nonscriptum consults for educational and scientific users in the areas of 3D printing and maker technologies. Rich (known online as “Whosawhatsis”) is an experienced open source developer who has been a key member of the RepRap 3D-printer development community for many years. His designs include the original spring/lever extruder mechanism used on many 3D printers, the RepRap Wallace, and the Deezmaker Bukito portable 3D printer. By building and modifying several of the early open source 3D printers to wrestle unprecedented performance out of them, he has become an expert at maximizing the print quality of filament-based printers. When he's not busy making every aspect of his own 3D printers better, from slicing software to firmware and hardware, he likes to share that knowledge and experience online so that he can help make everyone else’s printers better too.Lyn Hoge has been a dance teacher, costumer, and choreographer for over 40 years. In that time, she has designed and created costumes for musicals, plays and various types of dance performances. These include everything from simple period costume plays like Our Town to elaborate and quirky versions of The Rocky Horror Picture Show and Bat Boy the Musical. Lyn has also created unique and functional designs for everything from the T-Rex and Wooly Mammoth in The Skin of Our Teeth to still walkers at the Edinburgh Fringe Festival. In the past couple of years, she has been delving into the world of wearable tech and recently started writing about her experiences as a teacher and student. Lyn has a BA in dance and has studied at UCLA, UC Irvine, and at many private studios.

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• Part 1. The Big PictureChapter 1. Fashion TechChapter 2. Practical Costume DesignPart 2. The BasicsChapter 3. How to SewChapter 4. Making and Using Sewing PatternsChapter 5. Wearable Tech ElectronicsChapter 6. Programming WearablesChapter 7. Your First ProjectPart 3. Beyond the BasicsChapter 8. Sensors and Other HardwareChapter 9. 3D PrintingChapter 10. The Importance of PlanningChapter 11. Two Bigger ProjectsPart 4. Where To Go From HereChapter 12. Other TechnologiesChapter 13. A Look AheadAppendix A. Teaching Fashion TechAppendix B. Links in this Book

As an engineer and management consultant, Joan Horvath has coordinated first-of-a-kind interdisciplinary technical and business projects, helping people with no common vocabulary (startups, universities, small towns, etc). work together. Her experience as a systems engineer has spanned software development, spacecraft flight operations, risk management, and spacecraft/ground system test and contingency planning. As an educator, Joan’s passion is bringing science and technology to the non-specialist in a comprehensible and entertaining way that will stay with the learner for a lifetime.Rich Cameron is a cofounder of Pasadena-based Nonscriptum LLC. Nonscriptum consults for educational and scientific users in the areas of 3D printing and maker technologies. Rich (known online as “Whosawhatsis”) is an experienced open source developer who has been a key member of the RepRap 3D-printer development community for many years. His designs include the original spring/lever extruder mechanism used on many 3D printers, the RepRap Wallace, and the Deezmaker Bukito portable 3D printer. By building and modifying several of the early open source 3D printers to wrestle unprecedented performance out of them, he has become an expert at maximizing the print quality of filament-based printers. When he's not busy making every aspect of his own 3D printers better, from slicing software to firmware and hardware, he likes to share that knowledge and experience online so that he can help make everyone else’s printers better too.Lyn Hoge has been a dance teacher, costumer, and choreographer for over 40 years. In that time, she has designed and created costumes for musicals, plays and various types of dance performances. These include everything from simple period costume plays like Our Town to elaborate and quirky versions of The Rocky Horror Picture Show and Bat Boy the Musical. Lyn has also created unique and functional designs for everything from the T-Rex and Wooly Mammoth in The Skin of Our Teeth to still walkers at the Edinburgh Fringe Festival. In the past couple of years, she has been delving into the world of wearable tech and recently started writing about her experiences as a teacher and student. Lyn has a BA in dance and has studied at UCLA, UC Irvine, and at many private studios.

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• Part 1. The Big PictureChapter 1. Fashion TechChapter 2. Practical Costume DesignPart 2. The BasicsChapter 3. How to SewChapter 4. Making and Using Sewing PatternsChapter 5. Wearable Tech ElectronicsChapter 6. Programming WearablesChapter 7. Your First ProjectPart 3. Beyond the BasicsChapter 8. Sensors and Other HardwareChapter 9. 3D PrintingChapter 10. The Importance of PlanningChapter 11. Two Bigger ProjectsPart 4. Where To Go From HereChapter 12. Other TechnologiesChapter 13. A Look AheadAppendix A. Teaching Fashion TechAppendix B. Links in this Book

As an engineer and management consultant, Joan Horvath has coordinated first-of-a-kind interdisciplinary technical and business projects, helping people with no common vocabulary (startups, universities, small towns, etc). work together. Her experience as a systems engineer has spanned software development, spacecraft flight operations, risk management, and spacecraft/ground system test and contingency planning. As an educator, Joan’s passion is bringing science and technology to the non-specialist in a comprehensible and entertaining way that will stay with the learner for a lifetime.Rich Cameron is a cofounder of Pasadena-based Nonscriptum LLC. Nonscriptum consults for educational and scientific users in the areas of 3D printing and maker technologies. Rich (known online as “Whosawhatsis”) is an experienced open source developer who has been a key member of the RepRap 3D-printer development community for many years. His designs include the original spring/lever extruder mechanism used on many 3D printers, the RepRap Wallace, and the Deezmaker Bukito portable 3D printer. By building and modifying several of the early open source 3D printers to wrestle unprecedented performance out of them, he has become an expert at maximizing the print quality of filament-based printers. When he's not busy making every aspect of his own 3D printers better, from slicing software to firmware and hardware, he likes to share that knowledge and experience online so that he can help make everyone else’s printers better too.Lyn Hoge has been a dance teacher, costumer, and choreographer for over 40 years. In that time, she has designed and created costumes for musicals, plays and various types of dance performances. These include everything from simple period costume plays like Our Town to elaborate and quirky versions of The Rocky Horror Picture Show and Bat Boy the Musical. Lyn has also created unique and functional designs for everything from the T-Rex and Wooly Mammoth in The Skin of Our Teeth to still walkers at the Edinburgh Fringe Festival. In the past couple of years, she has been delving into the world of wearable tech and recently started writing about her experiences as a teacher and student. Lyn has a BA in dance and has studied at UCLA, UC Irvine, and at many private studios.

Select Guide Rating

• Part 1. The Big PictureChapter 1. Fashion TechChapter 2. Practical Costume DesignPart 2. The BasicsChapter 3. How to SewChapter 4. Making and Using Sewing PatternsChapter 5. Wearable Tech ElectronicsChapter 6. Programming WearablesChapter 7. Your First ProjectPart 3. Beyond the BasicsChapter 8. Sensors and Other HardwareChapter 9. 3D PrintingChapter 10. The Importance of PlanningChapter 11. Two Bigger ProjectsPart 4. Where To Go From HereChapter 12. Other TechnologiesChapter 13. A Look AheadAppendix A. Teaching Fashion TechAppendix B. Links in this Book