Ovid and the Renaissance Body

Goran Stanivukovic is a professor in the English Department at Saint Mary’s University in Halifax, Nova Scotia.

• AcknowledgmentsIntroduction: Ovid and the Renaissance BodyGoran V. Stanivukovic, Saint Mary’s University Part I: Identification and DesireOvidian Subjectivities in Early Modern Lyric: Identification and Desire in Petrarch and Louise LabéCarla Freccero, University of California at Santa CruzImagining Heterosexuality in the EpylliaJim Ellis, University of CalgaryInversion, Metamorphosis, and Sexual Difference: Female Same-Sex Desire in Ovid and LylyMark Dooley, University of TeessideA Garden of Her Own: Marvell’s Nymph and the Order of NatureMorgan Holmes, Wilfrid Laurier University‘Male deformities’: Narcissus and the Reformation of Courtly Manners in Cynthia's RevelsMario Digangi, CUNY.Arms and the Women: The Ovidian Eroticism of Harington’s AriostoIan Frederick Moulton, Arizona State UniversityPart II: Speech, Voice, and EmbodimentLocalizing Disembodied Voice in Sandys’s Englished ‘Narcissus and Echo’Gina Bloom, Lawrence UniversityThe Ovidian Hermaphrodite: Moralizations by Peend and SpenserMichael Pincombe, University of Newcastle upon TyneOvid and the Dilemma of the Cuckold in English Renaissance DramaBruce Boehrer, Florida State University Part Ill: TextualizationLyrical Wax in Ovid, Marlowe, and DonneRaphael Lyne, New Hall, CambridgeEngendering Metamorphoses: Milton and the Ovidian CorpusElizabeth Sauer, Brock UniversityThe Girl He Left Behind: Ovidian imitatio and the Body of Echo in Spenser’s ‘Epithalamion’Judith Deitch, University of Toronto‘If that which is lost be not found’: Monumental Bodies, Spectacular Bodies in The Winter’s TaleLori Humphrey Newcomb, University of Illinois at Urbana-Champaign AfterwordValerie Traub, University of MichiganContributorsIndex