Music, Dance, Affect, and Emotions in Latin America

Häftad, Engelska, 2018

Del i serien Music, Culture, and Identity in Latin America

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Beskrivning

Music, Dance, Affect, and Emotions in Latin America is a collection of essays that analyze different manifestations of Argentine music and dance taking advantage of the exciting new theoretical developments advanced by the current affective turn. Contributors deal with the relationship between music, dance, affects, feelings, and emotions in different scenarios and show how the embodiment of music shape the experiential in ways that may impact upon but nevertheless many times evade conscious knowing. This book is one of the first academic attempts (regardless of region or country of scope) to try to solve some of the most important problems the affective turn has identified regarding how music and dance have been researched so far, such as the tendency, in representational accounts of music, to ignore the sensory and sonic registers to the detriment of the embodied and lived registers of experience and feeling that unfold in the process of making or listening to music.

Produktinformation

Utgivningsdatum:2018-11-14
Mått:155 x 229 x 19 mm
Vikt:485 g
Format:Häftad
Språk:Engelska
Serie:Music, Culture, and Identity in Latin America
Antal sidor:296
Förlag:Bloomsbury Publishing Plc
ISBN:9781498536943

Utforska kategorier

Amerikas historia inom Historia och arkeologi

Mer om författaren

Pablo Vila is professor of sociology at Temple University.

Recensioner i media

This book's extended theoretical exploration illuminates the complex ways that music acts on bodies to evoke feelings and identities, while the case studies exemplify these processes across a variety of Latin American genres. This is a pioneering contribution to the study of affect in music.

Innehållsförteckning

ContentsAcknowledgmentsIntroductionPablo VilaChapter One: Music, Dance, Affect, and Emotions: Where We Are Now.Pablo VilaChapter Two: The Embodiment of Gozo.: Aesthetic, Emotion and Politics in the Indigenous Song-dances of the Argentine ChacoSilvia Citro and Adriana CerlettiChapter Three: Traditional Sonorous Poetics. Ways of Appropriation and Perception of “Andean” Music and Practices in Buenos Aires.Adil PodhajcerChapter Four: Pleasures in Conflict: Maternity, Eroticism, and Sexuality in Tango Dancing Juliana Verdenelli, Translated by Elliot PrussingChapter Five: Self-Expression Through Self-Discipline. Technique, Expression, and Losing Oneself in Classical DanceAna Sabrina Mora, Translated by Elliot PrussingChapter Six: Did Cumbia Villera Bother Us? Criticisms on the Academic Common Sense Representation of the Link Between Women and MusicMalvina Silba and Carolina Spataro, Translated by Federico Álvarez GandolfiChapter Seven: Peronism and Communism, Feel