Rachel Randallis lecturer in Hispanic media and digital communications at the University of Bristol.

Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency brims with crisp analyses and theoretical sophistication. As a highly accomplished treatise, Rachel Randall’s book is bound to generate much interest among students and scholars alike of Latin American cinema and cultures, childhood studies, and film studies.

• ContentsIntroductionPart OneChapter One: Rural Boyhoods in Brazil and ColombiaChapter Two: Children and ‘Bare Life’ Under Military DictatorshipChapter Three: Childhood, Movement and PlayPart TwoChapter Four: Privileged Girlhoods and Processes of TransitionChapter Five: ‘I’m No Street Urchin!’Chapter Six: Indigenous Girlhoods in Brazil and ColombiaConclusionBibliographyAbout the Author

Rachel Randallis lecturer in Hispanic media and digital communications at the University of Bristol.

Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency brims with crisp analyses and theoretical sophistication. As a highly accomplished treatise, Rachel Randall’s book is bound to generate much interest among students and scholars alike of Latin American cinema and cultures, childhood studies, and film studies.

• ContentsIntroductionPart OneChapter One: Rural Boyhoods in Brazil and ColombiaChapter Two: Children and ‘Bare Life’ Under Military DictatorshipChapter Three: Childhood, Movement and PlayPart TwoChapter Four: Privileged Girlhoods and Processes of TransitionChapter Five: ‘I’m No Street Urchin!’Chapter Six: Indigenous Girlhoods in Brazil and ColombiaConclusionBibliographyAbout the Author

Rachel Randallis lecturer in Hispanic media and digital communications at the University of Bristol.

Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency brims with crisp analyses and theoretical sophistication. As a highly accomplished treatise, Rachel Randall’s book is bound to generate much interest among students and scholars alike of Latin American cinema and cultures, childhood studies, and film studies.

• ContentsIntroductionPart OneChapter One: Rural Boyhoods in Brazil and ColombiaChapter Two: Children and ‘Bare Life’ Under Military DictatorshipChapter Three: Childhood, Movement and PlayPart TwoChapter Four: Privileged Girlhoods and Processes of TransitionChapter Five: ‘I’m No Street Urchin!’Chapter Six: Indigenous Girlhoods in Brazil and ColombiaConclusionBibliographyAbout the Author