Glyn Morgan is a research fellow at the University of Liverpool, UK, and Project Curator at the Science Museum, London.

Morgan’s remarkable achievement with Imagining the Unimaginable has been to show that SF Holocaust fiction is not only a real possibility, but a rich subgenre of speculative literature ... a valuable project indeed: the Holocaust is an event that demands repeated evaluation and attempts to make sense of it.

• AcknowledgmentsIntroduction: Fictionalising the Holocaust1. Precursors and Early Texts: Swastika Night (1937) and the Myth of Silence2. Problematizing History: The Man in the High Castle (1962), Fatherland (1992), and Making History (1996)3. The Damned and the Saved: The Boys from Brazil (1976), The Portage to San Cristobal of A.H. (1981), Hope: A Tragedy (2012), and The Yiddish Policeman’s Union (2007)4. Reimagining Horror: The Plot Against America (2004), Farthing (2006), A Man Lies Dreaming (2014), and J (2014)Epilogue: Further FabulationNotesBibliographyIndex

Glyn Morgan is a research fellow at the University of Liverpool, UK, and Project Curator at the Science Museum, London.

Morgan’s remarkable achievement with Imagining the Unimaginable has been to show that SF Holocaust fiction is not only a real possibility, but a rich subgenre of speculative literature ... a valuable project indeed: the Holocaust is an event that demands repeated evaluation and attempts to make sense of it.

• AcknowledgmentsIntroduction: Fictionalising the Holocaust1. Precursors and Early Texts: Swastika Night (1937) and the Myth of Silence2. Problematizing History: The Man in the High Castle (1962), Fatherland (1992), and Making History (1996)3. The Damned and the Saved: The Boys from Brazil (1976), The Portage to San Cristobal of A.H. (1981), Hope: A Tragedy (2012), and The Yiddish Policeman’s Union (2007)4. Reimagining Horror: The Plot Against America (2004), Farthing (2006), A Man Lies Dreaming (2014), and J (2014)Epilogue: Further FabulationNotesBibliographyIndex

Glyn Morgan is a research fellow at the University of Liverpool, UK, and Project Curator at the Science Museum, London.

Morgan’s remarkable achievement with Imagining the Unimaginable has been to show that SF Holocaust fiction is not only a real possibility, but a rich subgenre of speculative literature ... a valuable project indeed: the Holocaust is an event that demands repeated evaluation and attempts to make sense of it.

• AcknowledgmentsIntroduction: Fictionalising the Holocaust1. Precursors and Early Texts: Swastika Night (1937) and the Myth of Silence2. Problematizing History: The Man in the High Castle (1962), Fatherland (1992), and Making History (1996)3. The Damned and the Saved: The Boys from Brazil (1976), The Portage to San Cristobal of A.H. (1981), Hope: A Tragedy (2012), and The Yiddish Policeman’s Union (2007)4. Reimagining Horror: The Plot Against America (2004), Farthing (2006), A Man Lies Dreaming (2014), and J (2014)Epilogue: Further FabulationNotesBibliographyIndex