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    1. Skönlitteratur
    2. Litteraturvetenskap

    Revolutions Aesthetic

    A Cultural History of Ba'thist Syria

    AvMax Weiss

    Inbunden, Engelska, 2022

    Del i serien Stanford Studies in Middle Eastern and Islamic Societies and Cultures

    1 646 kr

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    Häftad

    386 kr

    E-bok

    415 kr

    Beskrivning

    The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project—a Ba'thist cultural revolution—sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Ba'thist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War.Revolutions Aesthetic reconceptualizes contemporary Syrian politics, authoritarianism, and cultural life. Engaging rich original sources—novels, films, and cultural periodicals—Weiss highlights themes crucial to the making of contemporary Syria: heroism and leadership, gender and power, comedy and ideology, surveillance and the senses, witnessing and temporality, and death and the imagination. Revolutions Aesthetic places front and center the struggle around aesthetic ideology that has been key to the constitution of state, society, and culture in Syria over the course of the past fifty years.

    Produktinformation

    • Utgivningsdatum:2022-06-28
    • Mått:152 x 229 x 32 mm
    • Vikt:794 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Stanford Studies in Middle Eastern and Islamic Societies and Cultures
    • Antal sidor:456
    • Förlag:Stanford University Press
    • ISBN:9781503630581

    Utforska kategorier

    • Litteraturvetenskap inom Skönlitteratur
    • Mellanösterns historia inom Historia och arkeologi
    • Politik och statsskick inom Samhälle och politik

    Mer om författaren

    Max Weiss is Associate Professor of History and Near Eastern Studies at Princeton University. He is the author of In the Shadow of Sectarianism: Law, Shi'ism and the Making of Modern Lebanon (2010).

    Recensioner i media

    "Innovative, meticulous, and brilliantly written, Revolutions Aesthetic will serve as the standard bearer for studies on the modern cultural history of the Arab world and the broader Middle East. Max Weiss's work has profound implications for understanding the relationship of cultural producers and the state within postcolonial revolutionary systems around the world."—Kamran Rastegar, Tufts University "Revolutions Aesthetic intervenes in a rich conversation about 20th- and early 21st-century cultural production in Syria's evolving dictatorship. Max Weiss's attention to gender dynamics and competing artistic visions, as well as his admirably lucid prose, make this book a valuable contribution to understanding the relationship between politics and aesthetics."—Lisa Wedeen, University of Chicago "Max Weiss dives into the history of the revolution's aesthetic, which, like a safe for the imagination, senses, and freedom of Syrians, the dictator has failed to melt into his full metal statue. Revolutions Aesthetic enters the Syrian cinematic shot to observe and understand how it works."—Ossama Mohammed, director of Stars in Broad Daylight and Sacrifices "For readers who are interested in the intersection between culture and politics in the context of Syria and the Middle East, this book is a must-read."—Shaoqun Lian, China International Strategy Review "Max Weiss is a well-respected name among scholars of Middle Eastern history and literature, and this newest publication only further cements his significance to the field. His deep bench of literary and historical work gives his newest publication, Revolutions Aesthetic, a powerful evidence-based positionality.... The work is groundbreaking and innovative in conceptualizing a cultural and intellectual history of activist creative outlets witnessing and reflecting on tragedy and tyranny."—Beverly Tsacoyianis, American Historical Review