Trust is the most precious commodity of all.

In the cutthroat world of Sweden’s financial elite, no one knows that better than corporate raider David Hammar. Ruthless. Notorious. Unstoppable. He’s out to hijack the ultimate prize, Investum. After years of planning, all the players are in place; he needs just one member of the aristocratic owning family on his side—Natalia De la Grip.

Elegant, brilliant, driven to succeed in a man’s world, Natalia is curious about David’s unexpected invitation to lunch. Everyone knows that he is rich, dangerous, unethical; she soon discovers he is also deeply scarred.

The attraction between these two is impossible, but the long Swedish nights unfold an affair that will bring to light shocking secrets, forever alter a family, and force both Natalia and David to confront their innermost fears and desires.

“Fast-paced, sexy and smart!”—New York Times bestselling author Lori Foster

“Given the popularity of Steig Larsson and Jo Nesbo, the idea is to introduce American audiences to another kind of Swedish commercial fiction.… I’m grabbing this one.” —BookRiot

Trust is the most precious commodity of all.

In the cutthroat world of Sweden’s financial elite, no one knows that better than corporate raider David Hammar. Ruthless. Notorious. Unstoppable. He’s out to hijack the ultimate prize, Investum. After years of planning, all the players are in place; he needs just one member of the aristocratic owning family on his side—Natalia De la Grip.

Elegant, brilliant, driven to succeed in a man’s world, Natalia is curious about David’s unexpected invitation to lunch. Everyone knows that he is rich, dangerous, unethical; she soon discovers he is also deeply scarred.

The attraction between these two is impossible, but the long Swedish nights unfold an affair that will bring to light shocking secrets, forever alter a family, and force both Natalia and David to confront their innermost fears and desires.

“Fast-paced, sexy and smart!”—New York Times bestselling author Lori Foster

“Given the popularity of Steig Larsson and Jo Nesbo, the idea is to introduce American audiences to another kind of Swedish commercial fiction.… I’m grabbing this one.” —BookRiot