Sathnam Sanghera was born to Punjabi immigrant parents in Wolverhampton in 1976. He entered the education system unable to speak English but, after attending Wolverhampton Grammar School, graduated from Christ's College, Cambridge with a first class degree in English Language and Literature in 1998. He has been shortlisted for the Costa Book Awards twice, for his memoir The Boy With The Topknot and his novel Marriage Material, the former being adapted by BBC Drama in 2017 and named Mind Book of the Year in 2009. He has won numerous prizes for his journalism at The Financial Times and The Times, including Young Journalist of the Year in 2002 and Media Commentator of the Year in 2015. He lives in London.

Enormously enjoyable…Marriage Material isn’t simply an ingenious exercise in updating…Sanghera’s central subject, as in his much-praised memoir, The Boy with the Topknot, is prejudice…One of the novel’s achievements is to keep you in mind of all this while maintaining a tone of shrewdly humorous tolerance. Sanghera’s forte is wry comedy tinged with pathos…There is a concluding twist that has all the poisonous horror of finding a cobra coiled around boxes of confectionary in a corner shop…[A] warm, keenly observant and immensely appealing novel.

Sathnam Sanghera was born to Punjabi immigrant parents in Wolverhampton in 1976. He entered the education system unable to speak English but, after attending Wolverhampton Grammar School, graduated from Christ's College, Cambridge with a first class degree in English Language and Literature in 1998. He has been shortlisted for the Costa Book Awards twice, for his memoir The Boy With The Topknot and his novel Marriage Material, the former being adapted by BBC Drama in 2017 and named Mind Book of the Year in 2009. He has won numerous prizes for his journalism at The Financial Times and The Times, including Young Journalist of the Year in 2002 and Media Commentator of the Year in 2015. He lives in London.

Enormously enjoyable…Marriage Material isn’t simply an ingenious exercise in updating…Sanghera’s central subject, as in his much-praised memoir, The Boy with the Topknot, is prejudice…One of the novel’s achievements is to keep you in mind of all this while maintaining a tone of shrewdly humorous tolerance. Sanghera’s forte is wry comedy tinged with pathos…There is a concluding twist that has all the poisonous horror of finding a cobra coiled around boxes of confectionary in a corner shop…[A] warm, keenly observant and immensely appealing novel.