John Connolly is author of the Charlie Parker mysteries, The Book of Lost Things, the Samuel Johnson novels for young adults and, with his partner, Jennifer Ridyard, co-author of The Chronicles of the Invaders. John Connolly's debut - EVERY DEAD THING - introduced the character of Private Investigator Charlie Parker, and swiftly launched him right into the front rank of thriller writers. All his subsequent novels have been Sunday Times bestsellers. He was the winner of the 2016 CWA Short Story Dagger for On the Anatomization of an Unknown Man (1637) by Frans Mier from NIGHT MUSIC: Nocturnes Vol 2. In 2007 he was awarded the Irish Post Award for Literature. He was the first non-American writer to win the US Shamus award and the first Irish writer to win an Edgar award. BOOKS TO DIE FOR, which he edited with Declan Burke, was the winner of the 2013 Anthony, Agatha and Macavity awards for Best Non-Fiction work.

A gripping crime thriller with elements of the horror and supernatural genres cleverly blended into the mix . . . Connolly uses language with a rather dry sardonic wit colouring his writing and often bringing a wry smile to the reader's face

John Connolly is author of the Charlie Parker mysteries, The Book of Lost Things, the Samuel Johnson novels for young adults and, with his partner, Jennifer Ridyard, co-author of The Chronicles of the Invaders. John Connolly's debut - EVERY DEAD THING - introduced the character of Private Investigator Charlie Parker, and swiftly launched him right into the front rank of thriller writers. All his subsequent novels have been Sunday Times bestsellers. He was the winner of the 2016 CWA Short Story Dagger for On the Anatomization of an Unknown Man (1637) by Frans Mier from NIGHT MUSIC: Nocturnes Vol 2. In 2007 he was awarded the Irish Post Award for Literature. He was the first non-American writer to win the US Shamus award and the first Irish writer to win an Edgar award. BOOKS TO DIE FOR, which he edited with Declan Burke, was the winner of the 2013 Anthony, Agatha and Macavity awards for Best Non-Fiction work.

A gripping crime thriller with elements of the horror and supernatural genres cleverly blended into the mix . . . Connolly uses language with a rather dry sardonic wit colouring his writing and often bringing a wry smile to the reader's face