Man

Keiichiro Hirano is an award-winning and bestselling novelist whose debut novel, The Eclipse, won the prestigious Akutagawa Prize in 1998, when he was a twenty-three-year-old university student. A cultural envoy to Paris appointed by Japan’s Ministry of Cultural Affairs, he has given lectures throughout Europe. Widely read in France, China, Korea, Taiwan, Italy, and Egypt, Hirano is also the author of At the End of the Matinee, a runaway bestseller in Japan, among many other books. His short fiction has appeared in The Columbia Anthology of Modern Japanese Literature. A Man, winner of Japan’s Yomiuri Prize for Literature, is the first of Hirano’s novels to be translated into English. For more information, visit en.k-hirano.com and follow Hirano on Twitter at @hiranok_en.Eli K. P. William is the author of the Jubilee Cycle, three novels set in a dystopian future Tokyo: Cash Crash Jubilee, The Naked World, and A Diamond Dream. Originally from Toronto, Canada, he has lived in Japan for over a decade and has spent most of that time working as a Japanese translator. A Man is his first full novel translation to be published. For more information, visit www.elikpwilliam.com.

“Hirano’s English-language debut, a shape-shifting psychological thriller…As back-alley gritty and entertaining as a Raymond Chandler novel, the book asks what it means to be ‘you,’ and suggests that the answer means nothing at all. Hirano’s stylish, suspenseful noir should earn him a stateside audience.” —Publishers Weekly“Keiichiro Hirano’s A Man has all the trappings of a gripping detective story: a bereaved wife, a dead man whose name belongs to someone else, mysterious coded letters, a lawyer intent on uncovering the truth. Together with a willfully understated title, however, these features belie a deeply thoughtful novel whose mystery premise gives way to an examination of the most profound questions of identity and artistic creation. In a work so rooted in Japanese cultural history, the questions posed by the author become distinctly literary, moving ultimately to address the very practice of novel-writing.” —Arts Desk“What sort of novel is A Man? Hirano dangles a number of possibilities before the reader, from existential thriller to full-on spy novel. That a novel that deals so thoroughly with the ambiguities of identity should have its own identity be in question is utterly fitting. Did I mention it’s also a gripping read?” —Words Without Borders“As an added bonus to the sympathetic characters and a well-constructed narrative is the detailed exploration of the complexities of the Japanese family registration system that made deception possible…Particularly appealing is author Keiichiro Hirano’s compelling portrayal of Kido…A Man may not end on a happy note, but the reader can take satisfaction in seeing Kido accomplish his mission. The puzzle is unraveled and his client and her children obtain closure. Mostly, though, it’s Kido’s many admirable qualities that shine through and carry the story.” —Japan Times“Hirano has continued to grapple with new themes ever since his debut. In this work, he has arrived at the primal question of what validates human existence.” —Yoko Ogawa, author of The Memory Police“A riveting examination of desire and identity, A Man patiently unpicks the nature of unfulfilled aspirations. Keiichiro Hirano has written a multilayered tale of human reinvention, at once eminently readable and deeply moving.” —Tash Aw, author of The Harmony Silk Factory and Five Star Billionaire“There is no doubt that Keiichiro Hirano is an author with an extremely pioneering and modern spirit. His works have opened up a very imaginative space in analyzing and exploring the spiritual world of humanity.” —Sheng Keyi, author of Northern Girls and Death Fugue