GEORGE NAKASHIMA, woodworker and architectural designer, is a native of Seattle, Washington. A graduate of MIT in architecture, he worked briefly in New York, then traveled to Paris, Tokyo, and India. It was while in Japan that he was sent on an extended architectural assignment to Pondicherry, India, where he designed Golconda, the primary disciples' residence at the Sri Aurobindo Ashram, which was his first major architectural project. Running a small integrated business near New Hope, Pennsylvania, since 1943, Mr. Nakashima's major commissions include furnishings for the country home of the late Gov. Nelson A. Rockefeller, Pocantico Hills, in Tarrytown, New, York, and interiors for Columbia University, Mt. Holyoke College, the International Paper Corporation, and the Monastery of Christ in the Desert, Abiquiu, New Mexico, for which he also provided the architectural design. Featured in such publications as Smithsonian, Town & Country, House Beautiful, Life, and Fine Woodworking, Mr. Nakashima has exhibited at many institutions including the Museum of Modern Art, New York; the Renwick Gallery, Washington, D.C.; the Nelson Gallery, Kansas City; and the Museum of Fine Arts, Boston. He was awarded the Gold Medal for craftsmanship by the American Institute of Architects in 1952, was named a Fellow of the American Craft Council in 1979, received the 1981 Hazlett Award, and in 1989 will be the first honoree in a series of major retrospective exhibitions of "America's Living National Treasures" at the American Craft Museum.GEORGE WALD, Higgins Professor of Biology Emeritus at Harvard University, has been a close friend of George Nakashima for many years. He was co-recipient of the Nobel Prize in Physiology or Medicine in 1967 for his work on mechanisms of vision. He spends most of his time now in what he thinks of as "survival politics"—the sharp struggle to preserve life upon this planet: human, animal, and plant.

"An impressive book that effectively conveys the textural qualities and sensitivity of this master craftsman’s use of wood" —The New York Times"Today’s increasing reverence for nature, truth, simplicity and the independent spirit makes the life, work and philosophy of George Nakashima especially meaningful."—Town & Country"From [Nakashima’s] tables and chairs flows the unadorned beauty of the rhythms of nature."—Smithsonian"George Nakashima, the foremost master of the craft."—Time"Part woodworking manual, part philosophical journal, this book is as unique as author and woodworking legend George Nakashima’s exquisite furniture." —This Old House magazine

1. 5/5

   Vacker och intressant bok

   Fick höra av en duktig person inom trä att det är den bästa boken om man arbetar med trä. Boken är viktig för att man förstår verkligen trä samt den är skriven ganska mjukt och filosofiskt så den är väldigt inspirerande, man vill verkligen arbeta med trä när man läser boken och förstår hur vackra resultaten kan bli om man följer sig till trädets karaktär. Rekommenderas varmt!

   Richard B

   20 mars 2019